Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.
| Title | Air Date | Duration | ||
|---|---|---|---|---|
| Season 1 | Episode 1 | Vamos Chamar o Vento | 2014-01-30 | 30 min |
| Season 1 | Episode 2 | Oração ao Vento | 2014-02-06 | 30 min |
| Season 1 | Episode 3 | Velhas S.A. | 2014-02-13 | 30 min |
| Season 1 | Episode 4 | Picucha Online! | 2014-02-20 | 30 min |
| Season 1 | Episode 5 | Laranja Madura | 2014-02-27 | 30 min |
| Season 1 | Episode 6 | Tango da Mãe | 2014-03-06 | 30 min |
| Season 1 | Episode 7 | Porta-Retrato | 2014-03-13 | 30 min |
| Season 1 | Episode 8 | Ossos do Ofício | 2014-03-20 | 30 min |
| Season 1 | Episode 9 | Nosso Amor é Fogo | 2014-03-27 | 30 min |
| Season 1 | Episode 10 | A Árvore da Vida | 2014-04-03 | 30 min |
| Season 1 | Episode 11 | Bullying | 2014-04-10 | 30 min |
| Season 1 | Episode 12 | A Química da Felicidade | 2014-04-17 | 30 min |
| Season 1 | Episode 13 | De Volta Para Casa | 2014-04-24 | 30 min |
| Season 1 | Episode 14 | O Fim da História | 2014-05-01 | 30 min |
| Camera | Rodrigo Reis | Camera Operator |
| Sound | Felipe Burger Marques | Foley Artist |
| Directing | Jorge Furtado | Director |
| Directing | Guel Arraes | Director |
| Sound | Maurício Nader | Music Director |
| Production | Glauco Urbim | Location Manager |
| Art | Francisco Rufino | Assistant Director of Photography |
| Editing | Daniel Laimer | Editor |
| Production | Luísa Adegas | Producer's Assistant |
| Writing | Jorge Furtado | Writer |
| Sound | Renato Galimberti | Foley Recordist |
| Costume & Make-Up | Rosângela Cortinhas | Costume Design |
| Art | Fiapo Barth | Art Direction |
| Writing | Miguel da Costa Franco | Writer |
| Writing | Mauro Wilson | Writer |
| Production | Marcos Rohrig | Production Assistant |
| Costume & Make-Up | Britney Federline | Makeup Department Head |
| Directing | Ana Luíza Azevedo | Director |
| Writing | Janaína Fischer | Writer |
| Editing | Flavio Abreu | Colorist |
| Sound | Waleska Sartori | Foley Editor |
| Editing | Giba Assis Brasil | Editor |
| Camera | Luciana Baseggio | Focus Puller |
| Production | Glauco Urbim | Line Producer |
| Camera | Guilherme Menegotto | Best Boy Grip |
| Camera | Junior Loiola | Steadicam Operator |
| Production | Nora Goulart | Executive Producer |
| Editing | Rafael Fernandes | Online Editor |
| Production | Ana Gabriela | Executive Producer |
| Writing | Márcio Schoenardie | Writer |
| Sound | Chrístian Vaisz | Sound Designer |
| Sound | Ricardo Costa | Sound Re-Recording Mixer |
| Production | Marcos Rohrig | Producer's Assistant |
| Sound | Samuel Jansen | Dialogue Editor |
| Directing | Olívia Guimarães | Director |
| Production | Bel Merel | Production Manager |
| Costume & Make-Up | Deby Marques | Assistant Makeup Artist |
| Writing | Ana Luíza Azevedo | Writer |
| Editing | Alfredo Barros | Editor |