Ye Fan and his friend Pang Bo are transported to the Beidou Starfield, a place where cultivation is key to survival. When Ye Fan struggles to unlock his own powers, he and Pang Bo encounter Ji Ziyue, a young woman caught in a dangerous family feud. Together, they must navigate threats and challenges, seeking strength and safety in a world filled with dangers.
Serendipity the Pink Dragon is a 26-episode anime TV series produced by NTV and Zuiyo which aired weekly from 1 July 1983 to 23 December 1983 in Japan. The series was based on the Serendipity books by Stephen Cosgrove. After a boy is shipwrecked on a deserted island, he finds a pink egg which hatches into the pink dragon Serendipity. The series follows their adventures on the island.
A feature-length English dub consisting of episodes from the TV series, directed by Jim Terry, was released on home video in the United States in 1989 by Celebrity Home Entertainment. The boy's name was changed from Kōna to "Bobby" in the English version. The TV series itself has also been aired in France, as Biniky le Dragon Rose, in Italy as Rosaura and in Iran as Serendipity.
Eden 1 rules over about 50 planets throughout the galaxy. With the aid of his two faithful retainers Duke Sukedo and Baron Kakusu, Prince Mito decides to undertake a royal inspection tour of the planets undercover. However, the empire is a dangerous place and is plagued with vice feudal lords and corrupt space merchants, as well as other evil people. Using the royal family's weapon, the combining robot Daiohja, Prince Mito punishes any kind of villians that are within Eden 1's empire.
Set mainly in and around the Aizumi Police Station, this detective drama depicts a detective with a past as a former delinquent who fights against the rapidly increasing number of juvenile crimes.
The Exile is an American television series that aired on CBS as part of its late night Crimetime After Primetime line up. The series premiered on April 2, 1991 and ran until October 1991.
A Dutch television series about an exiled knight and his Indian friend. Together they try to get his birthright papers back from an evil Lord. During their quest, they get help from a nobleman who offers them a place in his castle.
Written by Gerard Soeteman starring Rutger Hauer and Jos Bergman and directed by Paul Verhoeven.
In the world of local neighborhoods, a sect of strong people come together to manage the affairs of these neighborhoods. Known as Al-Fetewa, they are ruffians who shoulder the responsibility of the people in their neighborhoods.
Rescue 8 is a syndicated American action drama series about Los Angeles County Fire Department Rescue Squad 8. It premiered in 1958 and originally ran for two seasons with syndicated reruns continuing for almost a decade thereafter. It starred Jim Davis as fireman Wes Cameron, much later cast as Jock Ewing on CBS's Dallas, and Lang Jeffries as the fireman Skip Johnson. Nancy Rennick and Mary K. Cleary each appeared in twenty-four episodes as Patty Johnson and Susan Johnson, the wife and daughter, respectively of Skip Johnson. The series was produced by Screen Gems, with directors Dann Cahn and William Witney. Rescue 8 produced seventy-four half-hour episodes.
The real Los Angeles County Fire Department Station 8 is at 7643 West Santa Monica Boulevard in West Hollywood, California. Rescue 8 shows more physically oriented rescues than the later, similar television series Emergency!, as firemen were not then trained as paramedics but acquired the expanded role in the early 1970s.
Kenichi Yamada, a single, 35-year-old businessman, has spent the majority of his adult life playing every MMORPG to hit the market. Tired of the constant cycle of repetitive, newbie-centric gameplay, he is immediately drawn in by the promise of a new game that, on top of being never-ending, offers up a "Hell Mode"—a difficulty level that makes it nigh impossible to level up but also promises uncapped growth potential. Upon selecting the newly released Summoner class, Kenichi finds himself reborn as Allen, an infant in a serf family, with nothing but his wits and old memories to guide him.
The Aquabats! Super Show! is an American action-comedy television series which premiered on March 3, 2012 on the United States cable network The Hub. The series was created by Christian Jacobs and Scott Schultz, both the creators of the Nick Jr. series Yo Gabba Gabba!, and Jason deVilliers.
Based on the superhero mythology of The Aquabats, a real-life comedy rock band which series co-creator and lead singer Jacobs formed in 1994, The Aquabats! Super Show! follows the comic adventures of a fictionalized version of the band, a musical group of amateur superheroes, as they haphazardly defend the world from a variety of villains and monsters. Styled similarly to the campy aesthetics of 1960s and 1970s children's television and Japanese tokusatsu, Super Show! utilizes various mediums of visual styles and special effects, mixing live-action storylines with cartoon shorts, parody advertisements and musical interludes.
Q.E.D. is a 1982 short-lived adventure series set in Edwardian England, starring Sam Waterston as Professor Quentin Everett Deverill. The Professor was a scientific detective in the mold of Sherlock Holmes, and the series had a smattering of what would later be called steampunk. In the show, the lead character was known primarily by his initials, Q.E.D; the reference here is that Q.E.D. usually stands for quod erat demonstrandum, a statement signalling the end of a proof. The show aired on the CBS network in the United States, and on Channel 4 in the United Kingdom.
Zhan Meng-bai's father is assassinated by a mysterious archer, and his love interest is killed by the same assassin. Determined to avenge them both and discover the archer's secret, Meng-bai meets his supposedly deceased mother and many other renowned martial artists. Meanwhile, he falls in love with the daughter of the leader of the Emperor's Valley. Eventually, Meng-bai learns the identity of the archer and learns that the archer intends to die in battle with him.
In this blend of historical drama and original source material, the story of this decisive year is remagined, not from the saddles of kings and conquerors, but through the eyes of the ordinary men who fought on their behalf.