Residing within Tokyo’s district of Ueno are the Colors, three individuals who protect their city by performing good deeds and aiding their community. Or, at the very least, they pretend to be the city’s defenders. In reality, the Colors are just three young girls who spend their time playing make-believe and exploring the city. The Colors’ activities are facilitated by the grandfatherly Daigorou "Pops" Kujiraoka, who uses his store’s inventory of knick-knacks to entertain the rambunctious trio.
Not everyone is a fan of the Colors though. The local policeman Saitou just wants to deal with his regular duties, but he often finds himself the target of the Colors’ attention, having been made the villain in most of their fantasies. But despite his personal feelings, Saitou always finds the time to go along with the three girls’ games. Even though the Colors do not actually defend Ueno, they definitely help brighten everyone’s day.
At the end of the first year of high school, Futaba Yoshioka meets Kou Tanaka who was her first love. In their middle school days, they attended the same school, but he suddenly transferred to another school. Three years later, he appears in front of her again with the different last name of Kou Mabuchi. His personality also seems to have changed from warm to cold. He is like a totally different person from three years ago. Futaba Yoshioka slowly learns what happened to Kou Mabuchi for the past three years and she become to have feelings for him again.
Easter joins a northern Thai university to escape his past but reunites with his ex, Hill. Meanwhile, his roommate North faces chaos with his flirty creditor.
Hayat is a country girl with strict parents. She is in a love hate relationship with her boss Murat. Hayat is full of secrets that can ruin her career and relationship.
Sato's life – or what's left of it – is a paranoid mess of conspiracy theories and social anxieties. He's terrified of the outside world; his apartment is overflowing with the remnants of cheap take-out food; and his retinas have been permanently scarred by a steady diet of internet porn. But maybe it's not all his fault. After all, the nefarious N.H.K. is out there, and they’re determined to turn society's fringe-dwellers into a brainwashed lot of jobless, hopeless, futureless recluses.
Enter Misaki – a mysterious girl-next-door type who is Sato's last chance to beat-down his inner demons and venture out into the light of day. She's ready to help him overcome his crippling phobias, but Sato would rather cower in his existential foxhole and pretend to work on the demo for his virtual sex game.
He’s afraid to face the world. She's strangely desperate to fix a total stranger. Maybe together they can be normal.
Madö King Granzört is a Japanese young children's animated television series that aired from 1989-1990. It was produced by Bandai Visual and animated by animation studio Sunrise. It also spawned 3 special direct-to-video episodes and two movies.
A boy named Daichi Haruka takes on a journey to the moon, where he gets involved in a fight between the Takamimi, Miminaga and evil tribes. Daichi gets in Granzort, one of the machines of the Malevolent Deity Ruling Light, to fight in the world of magic.
Jessi is a Korean-American rapper and singer who brings a new style of talk show to South Korea. She is cheerful, straightforward, bold and witty with the hottest singers, actors and personalities in the industry. Jessi conducts an unpredictable and unstoppable interview from the very beginning. The chemistry between MC Jessi and the guests begins!
Haru Chitose, Eri Kumagai, Sarasa Ryuuouh, Kiri Mukae, Uori Mukae, Sasame Mitsukuri, Miku Nishio, Hiyo Yukino, Shupe Gushiken, Kotoko Kintoki, and Roro Morooka are the eleven members of "Music Girls," an idol group produced by Pine Records. However, they're a third-rate idol group that can't seem to sell CDs at all. But even though they're obscure and constantly in debt, the members and their producer, Ikehashi, are all trying their hardest. Ikehashi gets the idea that Music Girls needs a new member—an idol who can light a fire under them so that they can grasp success!
Mameda is a tanuki who was born in the wrong era - all she wants is to trick humans, but that age of tanuki shenanigans is over. But one woman, a rakugo master named Bunko, shows Mameda it's still possible to cast magic on humans...only with words, not illusions. Mameda is determined to become Bunko's apprentice, but can she convince the stoic master to take her on...?
Celebrity archaeologist Rip Digman and his team of experts travel dangerous parts of the world to unearth legendary artifacts and grow their reputations as fearless adventurers.
A clumsy high-school girl - Oh Ha-ni - is at the bottom of her class, and she has had a crush on a popular genius, Baek Seung-Jo, ever since she first laid eyes on him.
The Mothers-in-Law is an American sitcom starring Eve Arden and Kaye Ballard as two matriarchs who were friends and next-door neighbors whose children's elopement rendered them in-laws. The show aired on NBC from September 1967 to April 1969. Produced by Desi Arnaz, the series was created by Bob Carroll, Jr., and Madelyn Davis.
The Lucy–Desi Comedy Hour is a collection of thirteen one-hour specials airing occasionally from 1957 to 1960, and originally served as part of Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and The Westinghouse Desilu Playhouse Presents The Lucille Ball-Desi Arnaz Show for the following seasons. It was the successor to the classic comedy, I Love Lucy, and featured the same major cast members. The production schedule avoided the grind of a regular weekly series.
Desilu produced the show, which was mostly filmed at their Los Angeles studios with occasional on-location shoots at Lake Arrowhead, Las Vegas and Sun Valley, Idaho. CBS reran the show under the "Lucy-Desi" title during the summers of 1962-1967, after which it went into syndication.
Schoolgirls discover that they have been given the ability to materialize weapons and control robotic beasts called "Children" to stop an evil organization from their plans of domination.
When Michelle Hathaway relocates to New Orleans to open a bakery with her daughters Taylor and Frankie, they quickly learn that life in the “Big Easy” is very different. Unbeknownst to them, their new home is already occupied by a ghost family comprised of jazz musician father Ray Preston and his sons Miles and Louie. After agreeing to live under one roof, they come to care about and rely on one another while driving each other crazy – just like any normal family would. Though leery at first, the Hathaways soon discover how much fun life can be when living with ghosts.