The main character, Ranze, is a junior high girl with troubles: her father is a vampire and her mother is a werewolf. Ranze has yet to manifest her supernatural powers, and her parents are beginning to get worried she might be normal. So begins the fantasy romantic comedy story.
In 1974, in the quiet suburb of Sainte-Foy, two discontented couples bring their kids to summer camp. Once home, they must face the pitiful state their marriages are in. Unable to deal with their problems, they become the most infamous criminals in the history of organized crime in Quebec City.
The Patty Duke Show is an American sitcom which ran on ABC from September 18, 1963 to April 27, 1966, with reruns airing through August 31, 1966. The show was created as a vehicle for rising star Patty Duke. A total of 104 episodes were produced, most written by Sidney Sheldon.
The story takes place in an age where "Ajin" (demi-human), more casually known as "Demi," have slowly started to become accepted into human society. Tetsuo Takahashi is a biology teacher who ends up teaching three such Demi, hoping to understand more about them while also managing to catch their attention.
In the headquarters of a major American automotive company in Detroit, a floundering group of executives at Payne Motors must adapt to the changing times or be sent to the junkyard.
AfterMASH is an American situation comedy that aired on CBS from September 26, 1983, to December 11, 1984. A spin-off of the series M*A*S*H, the show takes place immediately following the end of the Korean War and chronicles the adventures of three characters from the original series: Colonel Potter, Klinger and Father Mulcahy. M*A*S*H supporting cast-member Kellye Nakahara joined them, albeit off-camera, as the voice of the hospital's public address system. Rosalind Chao rounded out the starring cast as Soon-Lee Klinger, a Korean refugee whom Klinger met, fell in love with and married in the M*A*S*H series finale "Goodbye, Farewell and Amen."
AfterMASH premiered in the fall of 1983 in the same Monday night 9:00 P.M. EST. time slot as its predecessor M*A*S*H. It finished 10th out of all network shows for the 1983-1984 season according to Nielsen Media Research television ratings. For its second season CBS moved the show to Tuesday nights at 8:00 EST., opposite NBC's top ten hit The A-Team, and launched a marketing
This young girl hates all those goodie-two-shoes heroines. So when she’s reincarnated as Alicia, the villain in her favorite fantasy dating sim, it’s like a dream come true! There’s just one problem: the more she tries to be evil, the more the prince seems to fall for her. Alicia will have to work much harder if she ever wants to become the world’s greatest villainess.
Hausmeister Krause – Ordnung muss sein is a German sitcom with Tom Gerhardt in the title role, shown from 1999 through 2010 on Sat.1.
The series parodies typical German "squareness". Half-day janitor Dieter Krause is the embodiment of the German "square"; he is pernickety, blindly follows order, denounces others, is nosy, consistently puts his own interests above all else, acts subservient to his superiors and is brutish and unjust to those he deemes below him.
Many plot elements — mishaps, misunderstandings, and frequent cases of mistaken identity — originate from Boulevard theatre. The characters in the series borrow heavily from those in Tom Gerhardt's film Voll normaaal, in many cases sharing names. In Voll normaaal, Tom Gerhardt played the roles of both Dieter and Tommie Krause; in Hausmeister Krause, Tommie was played by Axel Stein. Daughter Carmen is played by Janine Kunze. Other characters from Voll normaaal, such as Tommie's friend Mario, are relegated to the status of background charac
The Mothers-in-Law is an American sitcom starring Eve Arden and Kaye Ballard as two matriarchs who were friends and next-door neighbors whose children's elopement rendered them in-laws. The show aired on NBC from September 1967 to April 1969. Produced by Desi Arnaz, the series was created by Bob Carroll, Jr., and Madelyn Davis.
This world is all about do or die. There ain't no paradise. You go down once and you're out. This world is filled with people who suffer believing that. Hey, you there. Are you really going to pretend not to notice? We, however, cannot do that. Let us wipe away your tears. We'll put that smile back on your face. But it's not going to be for free. Please come by Bar F. Have no fear. We don't need any money. There's only one thing that we want... "We'll take your heart!!"
Ayumi and her friends are all just entering the eighth grade, as, one by one, they discover that love is infectious and you can catch it from anyone! Now Ayumi's torn between two brothers, Koyoi has an altogether different kind of brother issue and budding theatrical impresario Sumire seems ready to do anything to land her leading man. Then there's tom-boy Rika, aspiring artist Nao, Kei, who's very 'mature' for her age and older girl Misaki who really IS more mature.
After an epically unfiltered rant, an arrogant, loudmouth U.S. Army Colonel is reassigned to the Netherlands, where he is punished with a command position at the least important army base in the world.
It's Robot and Monster, an unlikely duo in society where their different species usually don't get along, but everyone does share one common trait - they all love bacon! This buddy comedy shows that opposites really do attract, hilariously!
Hasta Que el Dinero Nos Separe is a telenovela produced by Emilio Larrosa. It is a remake of the Colombian soap opera Hasta Que la Plata Nos Separe. Hasta Que el Dinero Nos Separe stars Itatí Cantoral, Pedro Fernández, Victor Noriega, Luz Elena González and Joana Benedek. The telenovela made its debut on June 29, 2009 at 8 pm in Mexico's Canal de las Estrellas, in HD in some markets, and January 18, 2010 at 8/7 pm USA's Univision, starting on April 26, 2010, it aired from 8 pm est to 10 pm est in HD in some markets, until June 1, 2010, when Soy Tu Dueña premiered on Univision at 9pm, thus returning the novela back to its former one hour airing time. On February 16, 2010 Hasta Que El dinero nos separe premiered on internet TV's bsn Latino.
"The Best Telenovela of the Year 2010."
Amanda Vaughn, once the ultimate high school "mean girl," is forced to return home in disgrace after her marriage ends in scandal. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.
The youngest of the Antonopoulou family, the eight-year-old Angelos and storyteller, will travel with us in the late 60's, when television was slowly entering the family living rooms, in "Our Best Years".