Babangon Ako't Dudurugin Kita or Sweet Revenge is a Filipino drama television series created by Gilda Olvidado, developed by Don Michael Perez and produced by GMA Network. The series is a remake of a 1989 movie with the same title and stars Yasmien Kurdi, JC de Vera, Marvin Agustin, Angelika dela Cruz and Dina Bonnevie and directed by Joel Lamangan, it aired on GMA Network from March 24, 2008 until June 27, 2008. From March 31, 2008 until July 4, 2008, the series was aired internationally, with a one-week delay, on GMA Pinoy TV.
Each episode offers unprecedented access into the step-by-step process of solving a murder case, from the first clue to the decisive moment that changes everything. Every story spotlights a unique tactic, expert insight or pivotal piece of evidence that ultimately leads to an arrest or conviction. From cutting-edge forensics to classic old-school detective work, each investigation reveals a different path to the truth. Jackson personally selects the cases, introduces the players, and guides viewers through the twists and turns, ending each story with an update on the defendant’s fate.
This true crime docuseries strips the covers from a world of profiling, forensic science and painful investigation to expose history's most brutal serial killers.
On 21st April 1976, gunmen held up more than 50 members of Melbourne’s venerable Victorian club, escaping with several million dollars in untraceable cash. The robbery had been so brilliantly planned and executed that police were left without a single clue–and so strict was the robbers’ code of silence that not even the underworld was aware of their identities.
In a quiet hill town, two teenage slum-dwelling girls discover an abandoned DSLR. A young, passionate journalist visits the same town looking for his missing girlfriend. Their lives converge in unimaginable ways, as a series of abductions shake up, the quaint hamlet hinting at the presence of a vicious serial murderer who's targeting poor, vulnerable teenagers
Johnny Jarvis and Alan Lipton are two teenagers in their final year of secondary school at a comprehensive in Hackney in 1977. Energetic, anxious and occasionally naïve, the unlikely pair are on the brink of entering the adult world of the late '70s and early '80s when prospects are slim.
The body of old Theodor Reifenrath is found in Mammolshain in the Taunus. Accident or Murder? Because the safe is open and empty, inspectors Pia Sander and Oliver von Bodenstein start investigations. In the dog kennel in front of the house, they make a horrifying discovery. Alongside to a nearly starved dog, she finds human bones in the ground. Three women's bodies are recovered by the forensic experts. But who are the murdered women? The dead man and his deceased wife Rita had used the large house by the lake as a kind of children's home and had raised many foster children here over the years. However, the two were not loving foster parents. Rita has been missing for many years. Probably suicide, but her body was never found. The investigators are concentrating on the foster children, who are now all grown up and in the middle of life. The pattern of killings is striking: Apparently the perpetrator always kills on Mother's Day. And that day is near.
Spring of 1971, Johanna, a professor of Nordic Studies comes home from Paris to attend her father’s funeral. She’s also looking to find work at the University, but her feminist viewpoints about the systematic silencing of women’s voices in history does not go over well with the university board.
The little daughter of the famous pianist Konstantin Zobnin disappears in the city, and then the body of another missing girl is found. At the same time, a successful businessman, obsessed with obsessive desires, seeks help from a talented psychiatrist Alexei, who will be forced to conduct his own investigation in parallel with the official one.
A former psychologist, who has the ability to recognizes lies through behaviour and mimic, now works as a detective. He uses his ability for solving difficult cases.
A middle-class family sees a brighter tomorrow when their son meets with a life-changing career opportunity. But this transition only unravels a web of trauma, raising poignant questions about wealth, power, and morality.