Ireland's Most Evil Killers delves into the sordid world of some of the most notorious murderers the country has ever seen. The gripping five-part series examines the disturbing cases of five of Ireland's most infamous killers: Joe O'Reilly, Colin Whelan, Catherine Nevin, Charlotte and Linda Mulhall, and Eric Locke.
Detectives reinvestigate the murder of Carol Morgan in the storeroom of her Bedfordshire corner shop in 1981 - re-examining the files, revisiting the crime scene, and looking for new witnesses as previously missed evidence points to a different theory.
Three unsolved homicides explored: Nanette Krentel, dead in her burned Louisiana home; Elizabeth Salgado's murder in Utah; Brian Egg's killing during a California camping trip. Investigators pursue leads and evidence to crack these cases.
True crime documentary series following the disappearance of 14-year-old Charlene from her home in Blackpool in 2003, with unprecedented access to Charlene's friends, family, suspects and police. The information the police received would unveil what was considered to be Britain's first grooming gang scandal.
A true crime series offering viewers a first-hand account of dangerous criminal investigations from those closest to the action, the undercover agents themselves. Undercover agents are on the front lines, often risking their lives to gather evidence that may help take criminals off the streets. Each episode includes surveillance video and audio recordings from actual investigations to reveal the critical moments that could make or break a case—or an agent’s life. Living in secrecy and often unrecognized beyond their tightest circles, these agents rarely get to tell their stories, until now.
Made in Britain is a 1983 British television play written by David Leland, and directed by Alan Clarke, about a 16-year-old racist skinhead named Trevor, and his constant confrontations with authority figures. It was originally broadcast on ITV on 10 July 1983 as the fourth in an untitled series of works by Leland, all loosely based around the British educational system, which subsequently acquired the overall title of Tales Out of School. As with many Alan Clarke works, the director attempts to depict English working-class life, realistically without moralising or complex plots. The play features strong language, violence, racism and an anti-establishment feeling. Cinematographer Chris Menges's use of the Steadicam contributed to the fluid and gritty atmosphere of the play.
Docuseries lifting the veil on the global crime wave that is destroying the world's cultural heritage and lining the bank vaults of some of the worst criminals on the planet.