Code Name: Eternity is a Canadian science fiction series broadcast in syndication for 26 episodes starting in 1999. Shot in Toronto, Ontario, it was cancelled after a single season and ended on a cliffhanger. It was later shown on the Sci-Fi Channel in the United States.
The plot follows an alien scientist who arrives on Earth and assumes human form in order to perfect technology that will radically change Earth's environment to be suitable for habitation by his own species. Another of the aliens, having discovered the true nature of Banning's plans, abandons him and joins up with a human scientist in an attempt to prevent the destruction of Earth and humanity.
Kanto Torishimari Shutsuyaku Sakon Oyamada and Shinbei Asano, called "Hashū-sama" by the people. Sakon, a family man, and Shinbei, a serious man, travel around the crime-ridden Kanto region and solve crimes...
A public prosecutor in The Hague, and a detective at the Dutch Revenue Service FIOD, follow money trails and investigate hit jobs in search of criminals.
Besa is a strong promise for the Albanians, which must be maintained, even at the cost of living. It is most often used in the form of blood feuds, which is certainly a suitable ground for the action of the series that is in front of us.
An Intelligence Agent is sent to El Principe, on the border with Morocco, to investigate a possible police collaboration with a terrorist cell but finds unexpected love in the least suitable person: a drug baron's sister.
Kenta Sakaguchi was a yakuza member and he spent 13 years in prison for killing a rival yakuza boss. Hidehiko Hirohashi was a secretary for a politician. He took the blame for the politician’s act. Isao Okawara was a self-defense official, but he took in arms against the government. Kenta Sakaguchi, Hidehiko Hirohashi and Isao Okawara gather under retired ex-detective Gonzaemon Mukai. Kenta, Hidehiko and Isao get even with people who betrayed and deceived them.
Traffik is a 1989 British television serial about the illegal drugs trade. Its three stories are interwoven, with arcs told from the perspectives of Afghan and Pakistani growers and manufacturers, German dealers, and British users. It was nominated for six BAFTA Awards, winning three. It also won an International Emmy Award for best drama.
The 2000 crime drama film Traffic, directed by Steven Soderbergh, was based on this television serial. In turn, the 2004 American television miniseries Traffic was based on both versions.
Persecuted (Mauricio Islas) José Vicente Solís Armenta is a criminal prosecuted for justice for his crimes against humanity. After being betrayed, the authorities finally manage to track him down and want him dead or alive. Solís Armenta, on his way to escape, has to deal with his wife, who he cheated on, one of his lovers who seeks to assassinate him, and a bodyguard who seems to succumb to his charms. Given this adverse scenario, José Vicente declares a war without quarter to the authorities, but discovers that the real fight is against himself and perhaps, the only way of redemption is death. Mexican version of the Colombian series 'El capo'.
A heart-in-your-throat drama, Red Line begins with the mistaken shooting of a black doctor at the hands of a white cop and unfolds from the perspective of each of the families connected to the tragedy. It's a then-and-now meets us-and-them tale about the often-personal politics of crime.
The series tells about how police officers, investigating the case of robberies and murders in hotels, managed not only to neutralize, but also to expose major plunderers of socialist property.
After faking his own death, notorious gangster Volkov (Wolf) retires overseas with a new identity. When his parents die in a car accident 20 years later, he secretly returns to his hometown and learns that the nephew of a local mobster is responsible for his parents’ death. After killing the man, a battle between the old-newcomer and local crime bosses unfolds.
William Travers, an accomplished criminal lawyer living happily with his wife in rural Suffolk, is recovering from a traumatic series of events that have shaken his faith in the legal system when he is drawn into a case involving an old friend.
In 2002 (Heisei 14), public relations officer Mikami Yoshinobu of D Prefectural Police, is having an intense confrontation with the correspondents’ club, over the issue of the anonymity of a perpetrator in a traffic accident that caused serious injuries. Meanwhile, the public relations office is informed by the top brass that the Tokyo Metropolitan Police Department commissioner’s visit to the home of the family of the victim in “64”, an important unsolved case with its statute of limitation about to run out, has been decided one week later. The case which the police refer to internally as “64” is the kidnapping and murder of Shoko-chan which took place in just seven days in January 1989 (Showa 64). It was the worst in D Prefectural Police’s history. Mikami is under strict orders to obtain the family’s consent as well as to give the reporters’ questions beforehand. The visit is meant to emphasise the police’s resolve to put all effort into solving the case