No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967.
It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.
Dr. Megan Hunt was in a class of her own, a brilliant neurosurgeon at the top of her game. But her world is turned upside down when a devastating car accident puts an end to her time in the operating room. Megan resumes her career as a medical examiner, determined to solve the puzzle of who or what killed the victims.
Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film.
Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.
Private Eyes Tom Lopaka and Tracy Steele are based out of Hawaiian Village Resort where they work both hotel security and are hired by others to look into various matters. They're helped by their trusty right-hand man Kazuo Kim who runs a taxi company and is always eager to help them.
Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.
Bea Smith is locked up while awaiting trial for the attempted murder of her husband and must learn how life works in prison. A modern adaptation and sequel of the iconic Prisoner series.
Lone-wolf detective Angie Tribeca and a squad of committed LAPD detectives investigate the most serious cases, from the murder of a ventriloquist to a rash of baker suicides.
They are trained to be smarter, tactically superior and technologically advantaged - Melbourne's answer for a cutting edge trend in policing worldwide.
Rush was an Australian television police drama that first screened on Network Ten in September 2008. Set in Melbourne, Victoria, it focuses on the members of a Police Tactical Response team. It is produced by John Edwards and Southern Star.
On 10 November 2011, as with Network Ten setting out DVD promotions for the finale of season 4, David Knox of TV Tonight has announced that Rush would not return after 4 years, as the next episode would be its last.
Deputy Marshal Sam McCloud of the small western town of Taos, New Mexico is assigned to the metropolitan New York City Police Department (NYPD) as a special investigator.
Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.
Major Crimes explores how the American justice system approaches the art of the deals as law enforcement officers and prosecutors work together to score a conviction. Los Angeles Police Captain Sharon Raydor heads up a special squad within the LAPD that deals with high-profile or particularly sensitive crimes.
When by-the-book FBI Special Agent Bill Goodman is loaned out to a clandestine CIA/FBI task force, he finds himself teamed up with secretive and roguish CIA case officer Colin Glass. Together they work covert operations in New York, uncovering international plots, terrorist cells, and geopolitical secrets.
Yū Amagi is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department's First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the "graveyard of detectives" and ridiculed as the "banishment room where hardened detectives who cannot be fired are sent." Its assembled detectives Kōsuke Samura, Takumi Yamashita, Keita Nagasawa, Tamaki Mizuta, and Masatoshi Katagiri are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi, and time limit, he searches for the meaning of "blank time" which arises from this. He obsesses over the weight of every minute and second of time because of some incident.