Covert operative Tom Keen joins forces with Susan "Scottie" Hargrave, the brilliant and cunning chief of a covert mercenary organization that solves problems that are too dangerous for the government.
1964-65. Singapore is a city at a crossroads. Political and racial tensions are at fever pitch as the British pull out, and a new nation is about to be born. The lights of Bugis Street have never burned so bright: bootleg copies of Motown songs boom out from street stalls; the Rolling Stones are in town along with tourists and American sailors fresh from Vietnam. They join British and Australian soldiers checking out the prostitutes and gambling dens, en route to their own war in Borneo.
This is the city of Sam Callaghan, Patricia Cheng, the CIA’s Conrad Harrison and the clients of the Cheng Detective Agency. The agency’s cases range from the usual (straying spouses and petty fraudsters) to events with international implications and complications. Sam’s contacts from his military days are useful - but they start to drag him back into a dark world that he would prefer to leave behind.
Mary Ann Singleton, a naïve young secretary from the mid-west, tumbles head first into the colorful world of San Francisco, where carefree chaos revolves around the funky old apartment house at 28 Barbary Lane.
Ji Eun is the daughter of a wealthy chaebol family. She is bright, humorous, beautiful, and smart. Ji Eun meets Se Hoon, who runs a small furniture workshop. Unlike Ji Eun, Se Hoon comes from a poor family background. He was once the top student at a prestigious university, but he had to drop out due to his sick mother. Nevertheless, Ji Eun falls deeply in love with Se Hoon. She confesses her feelings to him. Se Hoon is also in love with Ji Eun, but he turns her down due to the extreme differences in their backgrounds. Eventually, Se Hoon is unable to bury his feelings any longer and they decide to marry.
Frankie Gaines looks like a typical teenager, but she's actually a cutting edge, experimental android who must hide her true identity to avoid being tracked down by the evil tech company EGG Labs.
Inspector Carlo Guerrieri, a veteran police officer from Rome, finds himself partnered with a rookie who was born in Ivory Coast but raised in the capital.
Drug lord Alonso Marroquín escapes from a Mexican prison in an attempt to go into hiding. A US military secret experiment goes wrong and the elite unit from the Mexican Police that is after Marroquín gets infected, creating a new zombie species. The Army and the zombies end up at the drug lord’s hideout and a battle for human survival begins.
The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.
An English widow on a reluctant quest. An Australian detective escaping his past. When lives collide, two strangers embark on an epic outback odyssey together.
The four Johnson brothers have inherited the powers of the Norse gods. Because the gods lived eons ago, however, time has diluted the powers. The unique ability that each brother possesses isn't very strong, and they still have the same desires and faults that mortals do. Their lives include sibling rivalry, trying to get girls, and hanging out; but they also want to be stronger, and so they embark on a quest to fulfill an ancient prophecy in hope of gaining the full strength of their abilities.
Deep Undercover is a true crimes series from writer and producer Joe Pistone, the real "Donnie Brasco." Each episode tells the story of a different undercover operation from the POV of the undercover officers involved.
Follow the lives of three high-powered African-American couples who come together to revitalize the thriving city of Huntsville, Alabama through their joint real estate venture, The Comeback Group.
Degrassi Junior High is a Canadian CBC Television teen drama series that was produced from 1987-1989 as part of the Degrassi series. The show followed the lives of a group of students attending the titular fictional school. Many episodes tackled difficult topics such as drug use, child abuse, teenage pregnancy, homosexuality, homophobia, racism, and divorce, and the series was acclaimed for its sensitive and realistic portrayal of the challenges of teenage life. The cast comprised mainly non-professional actors, which added to the show's sense of realism.
The series featured many of the same actors who had starred on The Kids of Degrassi Street a few years earlier, including Stacie Mistysyn, Neil Hope, Anais Granofsky, Sarah Charlesworth and others. However, their character names and family situations had been changed, so Degrassi Junior High cannot, therefore, be considered a direct spinoff.
The legal counsel for all the episodes was Stephen Stohn who later became the executive producer of Degrassi: The Next Gen
Set in the late 1950’s, The Larkins follows the golden-hearted wheeler dealer Pop Larkin and his wife Ma, together with their six children, including the beautiful Mariette, as they bask in their idyllic and beautiful patch of paradise in Kent.
When four very different teens arrive at Attaway General Hospital’s prestigious volunteer program, they must learn to work together to survive the program and make a difference in the lives of their patients. With breakout performances from Dixie D'Amelio, Madi Monroe and more, Attaway General is a medical procedural with humor, excitement, and high stakes.
Revisits heart-pounding cases of deception that ended in murder at the hands of a trusted family member, co-worker, lover, or friend. Told through the lens of the fictionalized, first-person perspectives of the victims, the viewer is treated like the only confidant they have left.