Muchacha italiana viene a casarse is a 1971 Mexican telenovela by Televisa produced by Ernesto Alonso and directed by Alfredo Saldaña, starring Angélica María and Ricardo Blume. Writing credits belong to Delia González Marquez, Fernanda Villeli, Marissa Garrido, Miguel Sabido and Carlos Lozano Dana
The series featured two theme songs: "A dónde va nuestro amor" and "Lo que sabemos del amor". Both songs were written by Eduardo Magallanes and performed by Angélica María.
Bluey is an inexhaustible six year-old Blue Heeler dog, who loves to play and turns everyday family life into extraordinary adventures, developing her imagination as well as her mental, physical and emotional resilience.
"What Life Took From Me" is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It is a remake of Bodas de odio, produced by Ernesto Alonso in 1983. In 2003, "True Love", the first remake, was produced by Carla Estrada. Unlike Bodas de odio and "True Love", "What Life Took From Me" has been adapted to the present time.
Sasha and Tanya have graduated and moved out of the dormitory. They now live with their son Alyosha in their own two-room apartment in the Moscow suburb of Yuzhnoe Butovo. And, boy, are their neighbors ever weird.
At the beginning of the 20th century, a mother dreams of marrying her five daughters to eligible bachelors but marriage is not a priority in Elisabeta Benedito's life. More than finding true love, the strong-willed dreamer and her sisters want to live according to their own choices and to do so they must go against traditional rules and customs. Inspired by Jane Austen's works, this romantic comedy retells classic novels from the point of view of modern and empowered women.
Each day, Jean-Philippe Wauthier welcomes guests on the show in warm, friendly setting. His interviews focus on their newsworthy achievements but also, and most importantly, on their passions, interests and opinions.
The strongest vocalists from across the United states compete in a blockbusters vocal competition, the winner becomes “The Voice.” The show's innovative format features four stages of competition: the blind auditions, the battle rounds, the knockouts and, finally, the live performance shows.
Homicide was an Australian television police drama series The series dealt with the homicide squad of the Victorian Police force and the various crimes and cases the detectives are called upon to investigate. Many episodes were based on real life crime cases.
Robert Montgomery Presents is an American dramatic television series which was produced by NBC from January 30, 1950 until June 24, 1957. The live show had several sponsors during its seven-year run, and the title was altered to feature the sponsor, usually Lucky Strike cigarettes, for example, Robert Montgomery Presents Your Lucky Strike Theater, ....The Johnson's Wax Program, and so on.
Schloss Einstein is a long-running, popular German television series which is designed as a teenage soap opera. It portrays the lives of teenagers in Schloss Einstein, a fictional boarding school. The intended audience is 10- to 14-year-olds.
The series combines the genres of comedy, action, drama, and natural science. Scripts for the series are written by prominent television script writers.
The Dick Van Dyke Show centers around the work and home life of television comedy writer Rob Petrie. The plots generally revolve around problems at work, where Rob got into various comedic jams with fellow writers Buddy Sorrell, Sally Rogers and producer Mel Cooley.
On a special inner city street, the inhabitants—human and muppet—teach preschoolers basic educational and social concepts using comedy, cartoons, games, and songs.
Papad Pol - Shahbuddin Rathod ki Rangeen Duniya was a popular sitcom that aired on SAB TV from Monday to Friday 7:30 pm IST. It was based on the story of the imaginary world of characters created by renowned writer Shahabuddin Rathod.
Just up the river from our nation’s capital lies a hidden gem—Potomac, Maryland. Its rolling hills, gated mansions, sophisticated prep schools, and exclusive country clubs all serve to keep the area invitation-only. Sprinkled throughout this community are a handful of old-line, wealthy African-American families who have historically broken racial barriers to provide a life of privilege for their children. In a town where entry is granted only through class, pedigree, and lineage, how far will the ladies go to secure their spot at the top of this prestigious circle?