DI Colette Cunningham's no nonsense approach to policing has earned her the respect of her Merseyside Police colleagues. She seems unflappable, until she gets a call from the Garda in Dublin after the body of a young woman is discovered.
Shiri is 30 years old actress waiting for her big break, which doesn't seem to come because she looks too young. An unexpected opportunity comes when she is recruited by the police as a secret agent in a high-school where drugs are suspected to be distributed.
In the near future, an undercover Detective Inspector gunned down and killed during a botched sting is brought back via an experimental Artificial Intelligence project. Full of glitches, he’s got to track down the person who shot him, prove himself as a cop so as not to get shut down, and save his marriage and his friendship, all with his partner Carver to boot.
The protagonist of the story, Ercüment Çözer rebels against disrespect and rudeness that we tend to avoid, ignore and eventually forget. Ercüment Çözer is a sociopath obsessed with the idea of respect. However, this time, he is not alone on his obsessive journey. The young lovers Helen and Savas, who have just stepped foot into the real world, find themselves in the middle of difficult situations after being mistreated by a group of people and end up being responsible for a chain of murders that take place in Istanbul. The concept of disrespect instantly turns into a social and mediatic struggle between the two generations. As for the mediatic follow up, Turkey’s most famous morning show host, Hasret will undertake it, however, nobody knows that she is also about to take part in this journey on another level. By getting to the core of this obsession, we will be witnessing the reflection it has on society.
Crime profiler Fong Yat-chun receives a bizarre distress call, and the caller is astonishingly from the future. They predict brutal murders are going to take place! Yat-chun teams up with female detective Ying Ho-lam and forensics assistant Chong Ding-kan to prevent the deadly incidents from happening. But the perpetrator gets a head start and commits crime. Yat-chun eventually ascertains the caller’s true identity. He also finds out Ho-lam is going to get into trouble. And Yat-chun knows his destiny as well. However, Yat-chun loses contact with the caller from the future. The perpetrator is getting closer and closer to them! The death clock begins to count down. Successive homicides that are difficult to crack take place. Yat-chun has to race against time as he wants to change the future by tracking down the perpetrator as soon as possible.
The shocking murder of a journalist thrusts a leading crime reporter into a nexus of police, media and the Mumbai underworld as she fights for justice.
Tomozo Sudo is a detective. Due to an incident, he is excluded from investigative work. He is then assigned to work in a division responsible for taking care of animals whose owners are suspects or missing. Keiko Usuki is a police constable and works in the same division. She loves animals more than humans. Keiko develops inferences from clues from animals left behind at crime scenes. Tomozo and Keiko work together to solve cases.
Good Guys, Bad Guys was an Australian crime TV series that screened on the Nine Network between 1997 and 1998, with a telemovie and twenty-six episodes produced. A comedy/drama set in Melbourne.
The program was written for, and starred, Marcus Graham as Elvis Maginnis. A disgraced former cop, tainted by his criminal family and framed for corruption, Elvis owns "K for Kleen" drycleaning, managed by the eminently more sensible Stella Kinsella and sweetheart Reuben Zeus who has Tourette syndrome.
Elvis's attempts at a straight life are constantly compromised by the demands of his eccentric family, while Stella's attempts at making "K-for-Kleen" turn a profit are frustrated by Elvis's penchant for damsels in distress and a hard-luck story. He may not have a white stallion, but Elvis has a beautiful Charger.
The program was filmed in Melbourne, predominantly around the inner-city "bohemian" suburbs of St. Kilda, Fitzroy and Carlton. The film style incorporated local colour - Melbourne trams, landmarks like Smith Stre