Top forensic experts take us behind the scenes as they tackle the most earthshaking crime cases delving deep into the hotbed of crime and the world of forensic investigations Set against the hustle and bustle of Asian cities watch how experts work handinhand with law enforcers to dig for the truth and provide missing pieces to mindboggling crime cases
Power, terror, performance. These notions define our perception of Adolf Hitler and the Nazi Party at the height of the Third Reich. But behind these impressions Hitler was a rather ordinary man. This compelling new series tells the story of one of the most comprehensive, wide-reaching, and successful marketing campaigns in modern history. It describes in a whole new way the rise of Adolf Hitler.
Follows the investigation into the 2012 murder of West Virginia teen Skylar Neese, whose closest friends were implicated in her death, examining friendship and betrayal in the digital age.
A thriller following the lives of a group of strangers brought together by their connection to an old hotel, an experience that changes their lives forever.
Gising Pilipinas is an hour-long morning radio newscast of DZMM. It is simulcast on DZMM TeleRadyo, The Filipino Channel, and ABS-CBN. It had stopped its simulcast on ANC in mid-2010. It is currently anchored by Johnson Manabat and Ricky Rosales.
Formerly a two-hour program with a Saturday edition, it is now shown on weekdays from 4 to 5am.
Colin McLaren shares stories about his undercover work inside organized crime families; chilling firsthand details about how mafia families operate and why their ruthlessness was often their downfall.
Made in Britain is a 1983 British television play written by David Leland, and directed by Alan Clarke, about a 16-year-old racist skinhead named Trevor, and his constant confrontations with authority figures. It was originally broadcast on ITV on 10 July 1983 as the fourth in an untitled series of works by Leland, all loosely based around the British educational system, which subsequently acquired the overall title of Tales Out of School. As with many Alan Clarke works, the director attempts to depict English working-class life, realistically without moralising or complex plots. The play features strong language, violence, racism and an anti-establishment feeling. Cinematographer Chris Menges's use of the Steadicam contributed to the fluid and gritty atmosphere of the play.