A documentary crew follows the stories of nine classmates during their high school years in Austin, Texas, and then revisits them ten years later to examine how far they have come.
Mike Trainor seemingly has it all—he's a good-looking, wealthy and recently retired NFL player living the high-life in New York City, but he's about to get sidelined. When his mom learns that Mike's business manager took off with all his money, she orchestrates a plan to keep Mike in Houston, save his brother Chill's restaurant and bring the dysfunctional family back together under one roof again.
Lewis Black's Root of All Evil is an American television series that premiered on March 12, 2008, on Comedy Central and was hosted by comedian Lewis Black. The series producer was Scott Carter from Real Time with Bill Maher and the writer was David Sacks from The Simpsons. Sometimes there were pre-recorded video segments directed by supervising producer Michael Addis.
Lewis Black's Root of All Evil is formatted as a mock trial acted in deadpan. Black presided over two opposing people or issues; and guest comedians acted as lawyers/advocates arguing that their client/Evil is the Root of All Evil.
The series ended on October 1, 2008, with a total of 18 episodes. The series' cancellation was confirmed by Lewis Black in September 2009. The entire first season of Lewis Black's Root of All Evil was released on DVD in the United States on September 30, 2008. The remaining episodes from season two are not currently available on DVD.
Blue's Room is a children's puppet show television series which is aimed at preschoolers, aged 2–6, and it is a spin-off series of the popular Blue's Clues series. It originally started as a short segment that came near the end of the original Blue's Clues show, originally cast off as Blue's personal imaginary world once Joe took over the show after his brother Steve "went to college". Later on, when Joe also decided to leave the show Blue's Clues, the short segment became a show itself, with Joe appearing in some episodes.
What distinguishes Blue's Room from Blue's Clues is that Blue herself transforms from an animated blue puppy into an English-speaking puppet that directly interacts with the child with open ended questions or asks if a presented idea or solution is correct. The Season One episode "Meet Blue's Baby Brother" is a turnaround episode for this series, bringing most of the concepts of Blue's Clues into the new series and getting additional interest in the series.
Revolving around the life of Vivienne Vyle, a daytime TV presenter/agony aunt in the mold of Trisha, the show focuses on not only the problems of her guests but the problems Vivienne faces herself in regards to her love and home life.
Monster Squad is a television series that aired Saturday mornings on NBC from 1976-1977 that is unrelated to the later movie of the same name.
The series stars Fred Grandy as Walt, a criminology student working as a night watchman at "Fred's Wax Museum". To pass the time, Walt built a prototype "Crime Computer" hidden in a large stone sarcophagus near an exhibit of legendary monsters. When Walt plugged in his computer, "oscillating vibrations" brought to life the wax statues of Dracula, the Wolfman who here was named "Bruce W. Wolf", and Frankenstein's Monster who was referred to as "Frank N. Stein" in the credits.
The monsters, wanting to make up for the misdeeds of their pasts, became superhero crimefighters who used their unique abilities to challenge and defeat various supervillains. In most episodes, Walt would send the monsters out to investigate crimes and fight the villains while monitoring the activities from the wax museum via the Crime Computer, presumably because his job required him to be at the wax
Flo is an American sitcom which aired on CBS from 1980 to 1981. The series is a spin-off for Polly Holliday who portrayed the sassy and street-smart waitress Florence Jean "Flo" Castleberry on the sitcom Alice. Flo was cancelled at the end of its second season.
Natsuki Haibara thought his high school years were a complete failure—until he suddenly wakes up as a freshman again, armed with all he learned in college. Determined to rewrite his school days, he joins the popular crowd, makes friends he never had, and grows closer to his crush. But second chances aren’t as easy as hitting “Restart.” Can Natsuki turn his regrets into a rainbow-colored youth?!
Talented Saville Row textile pattern designer Kate lives in the quaint village of Blexford, England. Unbeknownst to Kate, her best friend Laura signs her up for The 12 Dates of Christmas – a holiday-themed matchmaking program in the days leading up to the holiday featuring carefully curated, yuletide dating experiences, in an attempt to get Kate out of her rut. Lovingly coerced by Laura and longtime best friend Callum, a reluctant Kate ultimately gets into the spirit of the program and is caught off guard when she meets someone who reinvigorates her zest for life.
Charlie Summers, ex-Kiwi Broadway director, is forced by circumstance to return to his home town of Tauranga, where his mum makes him join her amateur theatre society.
Despite being a mountain lion, Snagglepuss is a rather sophisticated individual who merely seeks to better himself and his living situation. He lives in a damp and dark cavern, which isn’t too comfortable for someone of his standing. Unfortunately for him, life isn’t always fair for a mountain lion and he has to constantly ward off hunters, and some people refuse to talk to him because they’re afraid that he’ll eat them, not that he would do such a thing. Through it all, Snagglepuss’ life is one bizarre twist after another, and even though he’s a swell guy, the civilized world seldom wants anything to do with him.
A team of bunnies turned superheroes is ready to battle danger in all its forms as they defend Important City from their archnemesis (and accidental creator), the inept Dr. Fuzzleglove and a ridiculous rogues' gallery of cartoony villains.
Follow three women – Sunny, Tulip, and Ladi – who live in the not-so-distant future of South Central LA as they navigate womanhood in an unpredictable, tech-driven world.