Sixteen contestants, ranging in age from 12 to 15, are taken completely off the grid to solve puzzles and overcome physical challenges, with the laws of karma setting the rules.
It is an Egyptian puppet series written and directed by the late Rahmi, which had a great impact on the culture of the Egyptian and Arab children. The original Egyptian environment, which had the greatest impact on confronting Western cultures. Pictures of the Buji and Tamtam series in the eighties of the twentieth century, where his first production was a series on behaviors, and that was in 1983 and parts came after that
Duan Bowen, a popular student and basketball star, faces family turmoil and complicated relationships with his friends. As he deals with personal struggles, he must navigate the challenges of growing up while preparing for the future.
Desperate times call for desperate measures and for one mom, that means bagging a rich man to make her kids happy. Pil Jeong is a single, divorced mom of two who swore that she’ll never get married again. Her children, on the other hand, have other plans in store. They beg her to find and marry a rich man as a means of securing their family’s future and a hilarious family expansion project ensues.
Atsuko Kagami is an elementary school girl who has an affinity for mirrors. One day, her favorite mirror which was given to Akko by her mother (or in some versions, by her father, as a present from India) is broken, and she prefers to bury it in her yard rather than throw it to the trash can. In her dreams, she is contacted by a spirit (or in some cases the Queen of the Mirror Kingdom) who is touched that the girl would treat the mirror so respectfully and not simply throw it away. Akko-chan is then given the gift of a magical mirror and taught enchantments, such as "Tekumaku mayakon, tekumaku mayakon" and "Lamipasu lamipasu lu lu lu lu lu", that will allow her to transform into anything she wishes.
Swadheenta, a lawyer, falls in love with an honest IAS officer, Adarsh Sinha. However, their relationship has to go through several tests, the reins of which are in the hands of his mother, Suhasini.
Ghar Jamai revolves around a North Indian father-in-law (Satish Shah) and his South Indian son-in-law (R Madhavan). Their continuous bickering and trying to take each other down is the premise of the show.
A Punjabi father-in-law, Mr Mehra, who never left a chance to trouble his Malayali live-in son-in-law, Subramaniam Namboodiripad AKA Subbu. However, quick-witted Subbu always managed to foil Mehra's plans. The duo was always at loggerheads, and their chemistry was the USP of the show. While the father-in-law and the son-in-law loved to hate each other, Chandni (Mandira Bedi) used to get caught in the crossfire. In the show Satish Shah's Mr Mehra and Madhavan's Subbu are like Tom and Jerry, always trying to get the best of each other.
Ghar Jamai came to an end when Madhavan decided to quit the show after Mani Ratnam offered him Alaipayuthey. He gained instant recognition with the Tamil film and went on to deliver many hits down South.