In St. Petersburg, an attempt is made on the well-known criminal authority, the owner of an underground casino network - Yuri Sergeev. A random passer-by unexpectedly intervenes in what is happening, who rebuffs the killer. The criminal is killed, and a passer-by, who turned out to be thirty-year-old Kirill Borzov, who recently arrived in the city from the provinces, receives an offer from Sergeyev to work in his security service. So Borzov gets into the world of excitement and vice. Every day, before the eyes of the main character, real dramas from the life of casino players and his servants are played out.
The Nantes Homicide Department has saddled itself with a team of high-powered experts who are aces in solving murders yet cannot carry on a normal conversation. Criminologist Julien Tardieu has a brilliant mind and a few – dozen? – neurological disorders. This Sherlock needs two Watsons: Inspectors Lise Doumère is the volcanic, explosive one and Dan Levasseur is the quiet behind-the-scenes operator.
A team of police officers are tracking down a criminal nicknamed “The Faceless Man,” who wants to steal the Templars' treasure with the help of a mad scientist and an accomplice called “The Woman.”
L'Homme sans visage (shot in 16mm) is a series consisting of eight 56 minute episodes broadcast on television a year after Nuits rouges (shot in 35mm), whose story they expand, although Franju shot the film and series at the same time.
Within the city of Kampala, lies a seedy underbelly of blackmail, drug trafficking, child prostitution and exploitation of women run by an unknown racket. When the lies beneath each relationship are exposed and loyalties are tested, only death and chaos can ensue.
These are some of the toughest prisons in the world. Prisons so tough, even gang bosses and killers learn the meaning of fear. Across four continents, six different prisons, the series takes us beyond the gates, walls, barred windows and cells into an unknown world, a world we know exists, but a world nobody wants to think about.
Yoshito (Tsuyoshi Kusanagi) is transferred to the Tokyo Metropolitan Police Department from Kyoto. He is assigned to work in a department that doesn't even have a name. A young female detective, Maria (Natsuna Watanabe), begins to work with Yoshito. Maria ’s uncle is the Commissioner General of the National Police Agency and she seems to have another secret.
Shinichi Todo is handsome and smart. He is loved by family, friends and his girlfriend. Everything in his life seems to go well, but, one day, someone with the same name is arrested. After that, his smooth life changes. An imposter takes his life.
A genealogist and a cop: a great team for uncovering the origins of the crime. On a murder case, genealogist Margot Laurent teams up with Arthur Du Plessis, a young and self-assured cop. Who committed the murder? And why? A murder always has its dark side: a fabricated family history that becomes an urban legend. And who can claim that their family has no secrets? Margot and Arthur strip away the hidden mysteries to shed light on the murder. Arthur is the no-nonsense one, here to arrest the culprit, while Margot, the genealogist, is more interested in the past, in the prehistory of the murder, in what prefigured the tragedy before it happened. Between them, Margot and Arthur bring the events into focus. Here lie hidden family traumas, stories sometimes ignored by those who must endure the aftermath, which give multiple layers to the whodunnit.