Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.
Unfortunately the movie Family Business is not yet available on HBO Max.
| Editing | Andrew Mondshein | Editor |
| Production | Lawrence Gordon | Producer |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Writing | Vincent Patrick | Novel |
| Sound | Cy Coleman | Original Music Composer |
| Directing | Sidney Lumet | Director |
| Production | Jennifer Ogden | Executive Producer |
| Writing | Vincent Patrick | Screenplay |
| Production | Burtt Harris | Executive Producer |
| Art | Walter Stocklin | Property Master |
| Camera | Tom Priestley Jr. | Camera Operator |
| Camera | Andrew Priestley | Second Assistant Camera |
| Camera | James McGrath | Dolly Grip |
| Camera | John Seakwood | Still Photographer |
| Directing | Michael Haley | First Assistant Director |
| Directing | Nathalie Vadim | Second Assistant Director |
| Crew | Lilith Jacobs | Post Production Supervisor |
| Art | Philip Rosenberg | Production Design |
| Sound | Maurice Schell | Supervising Sound Editor |
| Costume & Make-Up | Bob Grimaldi | Hairstylist |
| Camera | Norman Buck | Key Grip |
| Costume & Make-Up | Joe Cranzano | Makeup Artist |
| Costume & Make-Up | Ann Roth | Costume Design |
| Art | Gary J. Brink | Set Decoration |
| Sound | Bruce Kitzmeyer | Sound Editor |
| Sound | Allan Byer | Sound Mixer |
| Costume & Make-Up | Gary Jones | Assistant Costume Designer |
| Directing | Daniel M. Stillman | Second Second Assistant Director |
| Lighting | Francis J. McBride | Best Boy Electric |
| Sound | Richard P. Cirincione | Sound Editor |
| Sound | Peter Odabashian | Sound Editor |
| Sound | Jane McCulley | ADR Editor |
| Production | Judith Lyn Brown | Production Coordinator |
| Production | Meg Simon | Casting |
| Production | Jennifer Ogden | Unit Production Manager |
| Art | William F. Reynolds | Leadman |
| Camera | Gary Muller | First Assistant Camera |
| Lighting | Michael J. Fabiano | Key Rigging Grip |
| Production | Stephen Danza | Location Manager |
| Editing | Richard J. Rossi | Assistant Editor |
| Production | Fran Kumin | Casting |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | James H. Nau | Assistant Sound Editor |
| Art | Robert Guerra | Art Direction |
| Directing | Mary A. Kelly | Continuity |
| Lighting | William Ward | Gaffer |
| Production | Paul Cremo | Location Assistant |
| Crew | Bruce Bahrenburg | Unit Publicist |
| Production | Dominique Bruballa | Production Accountant |
| Art | Siv Sandstrom | Art Department Coordinator |
| Production | Robert McClung | Location Assistant |
| Production | Linda Carolei | Extras Casting |
| Crew | John Leonidas | Transportation Captain |
| Production | Joy Todd | Extras Casting |
| Sound | Sonny Kompanek | Orchestrator |
