Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.
Unfortunately the movie Peacetime is not yet available on HBO Max.
| Directing | Daniel Filho | Director |
| Writing | Bosco Brasil | Writer |
| Art | Cristina Cirne | Supervising Art Director |
| Production | Daniel Filho | Producer |
| Editing | Diana Vasconcellos | Editor |
| Art | Odair Zani | Art Direction |
| Costume & Make-Up | Antônio Araújo | Costume Design |
| Crew | Tuca Moraes | Cinematography |
| Art | Marcos Flaksman | Art Direction |
| Production | Carlos Eduardo Rodrigues | Associate Producer |
| Production | Claudia Bejarano | Executive Producer |
| Production | Júlio Uchoa | Line Producer |
| Directing | Cris D'amato | Assistant Director |
| Directing | Bruno Garotti | First Assistant Director |
| Costume & Make-Up | Rosa Versoça | Makeup Artist |
| Directing | Cininha de Paula | Assistant Director |
| Costume & Make-Up | Marilia Carneiro | Costume Design |
| Crew | Sylvia Ramos | Post Production Supervisor |
| Sound | Zezé d'Alice | Sound Technical Supervisor |
| Production | Mariana Zdravca | Post Production Coordinator |
| Directing | Natalia Soutto | Assistant Director |
| Sound | Vinicius Leal | Sound Editor |
| Visual Effects | Rogério Marinho | Visual Effects |
| Visual Effects | Raquel Sancinetti | Visual Effects |
| Production | Karina Vanes | Post Production Coordinator |
| Camera | Ique Esteves | Still Photographer |
| Sound | José E. Caldararo | Foley Artist |
| Camera | Joaquim Torres | First Assistant Camera |
| Sound | Adriano Machado | Sound Post Production Coordinator |
| Sound | Branko Neškov | Sound Re-Recording Mixer |
| Visual Effects | Marcelo Ferreira PeeJay | Digital Effects Producer |
| Sound | Egberto Gismonti | Music Director |
| Visual Effects | Nills Bonetti | Visual Effects |
| Sound | Simone Petrillo | Sound Editor |
| Sound | Bechen de Loredo | Foley Artist |
| Visual Effects | Robson Sartori | Visual Effects Coordinator |
| Sound | Caue Leal | Sound Editor |
| Camera | Jorge Moviola | First Assistant Camera |
| Sound | Sebastián Sonzogni | Foley Artist |
| Visual Effects | Eduarda Domenici | Digital Effects Producer |
| Visual Effects | Daniel T. Müller | Digital Effects Producer |
| Editing | Fábio Fatorelli | Assistant Editor |
| Art | Eugênia Maakaroun | Assistant Art Director |
| Visual Effects | Marcelo Siqueira | Visual Effects Supervisor |
| Camera | José George Rodrigues Alves | Focus Puller |
| Sound | Bechen de Loredo | ADR Mixer |
| Sound | Francisco Rizzi | Foley Artist |
| Visual Effects | Vanessa Mariano | Visual Effects |
| Visual Effects | Rogério Marinho | Digital Effects Producer |
| Camera | Daniel W. Xavier | Second Assistant Camera |
| Camera | Gilberto Otero | Camera Operator |
| Camera | Mustapha Barat | Camera Operator |
| Crew | Daniela Shaw | Intern |
| Sound | Esteban Golubicki | Foley Recordist |
| Editing | Danilo Lemos | First Assistant Editor |
| Sound | Claudio Valdetaro | Sound Re-Recording Mixer |
| Production | Flavia Santos | Location Manager |
| Visual Effects | Marco Prado | Visual Effects |
| Crew | Fillipe Dias | Stunt Coordinator |
| Costume & Make-Up | Marianna Luz | Costume Assistant |
