During the Second World War, a special project is begun by the US Army Air Corps to integrate African American pilots into the Fighter Pilot Program. Known as the "Tuskegee Airman" for the name of the airbase at which they were trained, these men were forced to constantly endure harassement, prejudice, and much behind the scenes politics until at last they were able to prove themselves in combat.
Unfortunately the movie The Tuskegee Airmen is not yet available on HBO Max.
| Directing | Robert Markowitz | Director |
| Writing | Paris Qualles | Teleplay |
| Writing | Trey Ellis | Teleplay |
| Writing | Ron Hutchinson | Teleplay |
| Writing | Robert Williams | Story |
| Production | Robert Williams | Co-Executive Producer |
| Visual Effects | Billy Williams | Visual Effects Coordinator |
| Camera | Frank M. Holgate | Aerial Director of Photography |
| Sound | Scott C. Evans | Boom Operator |
| Camera | Pernell Youngblood Tyus | Camera Operator |
| Lighting | John Janusek | Rigging Grip |
| Art | Christiaan Wagener | Production Design |
| Art | Sue Savage | Set Designer |
| Art | Tom Reta | Assistant Art Director |
| Sound | Nick Alphin | Sound Re-Recording Mixer |
| Sound | G. Michael Graham | Supervising Sound Editor |
| Costume & Make-Up | Scott Tomlinson | Assistant Costume Designer |
| Costume & Make-Up | Heidi Kure | Set Costumer |
| Editing | Z. Jean Woods | First Assistant Editor |
| Sound | Mark Heyes | Music Editor |
| Directing | Benita Brazier | Script Supervisor |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Camera | D. Stevens | Still Photographer |
| Sound | Kristi Johns | Supervising ADR Editor |
| Sound | Lee Holdridge | Music |
| Costume & Make-Up | Nadyne Peoples | Key Hair Stylist |
| Lighting | Ross Warren | Rigging Gaffer |
| Production | Bill Carraro | Producer |
| Costume & Make-Up | Steve Marshall | Makeup Artist |
| Costume & Make-Up | Denise Fischer | Makeup Artist |
| Costume & Make-Up | Dana Tanner | Makeup Artist |
| Production | Carol Bahoric | Co-Producer |
| Production | Robi Reed | Casting |
| Costume & Make-Up | Ileane Meltzer | Costume Design |
| Crew | Fred Cramer | Special Effects Coordinator |
| Costume & Make-Up | Stacye P. Branche | Key Makeup Artist |
| Art | Mary Louise Stoughton | Art Department Coordinator |
| Art | Russell J. Smith | Art Direction |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
| Production | Ángela Ortiz | Casting Associate |
| Directing | Dawn Gilliam | Script Supervisor |
| Editing | David Beatty | Editor |
| Art | Suzanne Lapick | Property Master |
| Visual Effects | Michael Muscal | Visual Effects Supervisor |
| Camera | Randy Feemster | Aerial Camera |
| Camera | George Wells | Dolly Grip |
| Camera | Lindy Alsobrooks | Key Grip |
| Costume & Make-Up | Craig Anthony | Wardrobe Supervisor |
| Camera | Ron Orieux | Director of Photography |
| Lighting | Bob Fox | Gaffer |
| Costume & Make-Up | Vicki Jones | Makeup Artist |
| Sound | Stan Jones | Music Editor |
| Crew | Ray McIntyre Jr. | Digital Effects Supervisor |
| Production | Frank Price | Executive Producer |
| Art | Ernie Bishop | Set Decoration |
| Camera | David L. Butler | Aerial Director of Photography |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
