Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.
Unfortunately the movie The Fantastic Journey of Margot & Marguerite is not yet available on HBO Max.
Costume & Make-Up | Pascale Bouquière | Key Makeup Artist |
Costume & Make-Up | Valérie Chapelle | Makeup Artist |
Sound | Jérôme Rebotier | Original Music Composer |
Directing | Hugo Marchand | Third Assistant Director |
Directing | Bonnie Pirès | First Assistant Director |
Directing | Jean-André Silvestro | First Assistant Director |
Visual Effects | Thibault Chartier | Digital Compositor |
Visual Effects | François Masle | Digital Compositor |
Crew | Julien Bruant | Stunts |
Crew | Gontran Desouche | Special Effects |
Lighting | Johan Bors | Electrician |
Sound | Jean-Paul Hurier | Sound |
Writing | Alexandre Coffre | Writer |
Crew | Damien Buffard | Stunt Driver |
Crew | Thierry Saelens | Stunts |
Production | Michel Cortey | Producer |
Crew | Pascal Lopez | Stunts |
Editing | Samuel Fassi | First Assistant Editor |
Sound | Grégoire Chauvot | Sound Editor |
Production | Matthieu Warter | Producer |
Visual Effects | Théophile Dhuicque | Visual Effects Coordinator |
Visual Effects | Nicolas Lacroix | Visual Effects Producer |
Production | David Giordano | Executive Producer |
Editing | Jeanne Kef | Editor |
Directing | Amour Rawyler | Second Unit First Assistant Director |
Visual Effects | David Danesi | Visual Effects Producer |
Visual Effects | Thomas Duval | Visual Effects Supervisor |
Production | Ardavan Safaee | Producer |
Art | Lara Schneider | Assistant Art Director |
Production | Pierre Coré | Producer |
Production | Christian Ronget | Producer |
Camera | Jean-Paul Agostini | Director of Photography |
Art | Jean-Philippe Moreaux | Production Design |
Production | Clément Miserez | Producer |
Production | Sylvie Brocheré | Casting |
Camera | Christophe Hustache-Marmon | Second Unit Director of Photography |
Crew | Pascal Guégan | Stunt Coordinator |
Sound | Clémence Stoloff | Dialogue Editor |
Sound | Gildas Mercier | Foley Recordist |
Writing | Stéphane Kazandjian | Dialogue |
Crew | Franck Carpentier | Special Effects |
Camera | Marine Lebon | Second Assistant Camera |
Camera | Johan Lecomte | Additional Grip |
Sound | Charles Michaud | Sound Engineer |
Visual Effects | Benoit Talenton | Special Effects Supervisor |
Crew | Patrick Ronchin | Stunt Coordinator |
Crew | Hugo Bariller | Stunts |
Crew | Emilie Ricard | Stunts |
Production | Marie de Cenival | Associate Producer |
Art | Lionel Pouchard | Storyboard Artist |
Crew | Ronan Chiaradia | Special Effects |
Crew | Barthélémy Robino | Special Effects |
Camera | Ludovic Jacques | Grip |
Crew | Samuel Delorme | Mix Technician |
Sound | Jonas Orantin | Foley Editor |
Editing | Marjolaine Mispelaere | Digital Intermediate Colorist |
Camera | Léa Riceputi | First Assistant "B" Camera |
Lighting | Michel Sabourdy | Gaffer |
Camera | Nicolas Sommermeyer | Key Grip |
Crew | Serge Beuchat | Stunts |
Writing | Pierre Coré | Writer |
Visual Effects | Irène Cunat | Digital Compositor |
Camera | Benjamin Groussain | Steadicam Operator |
Directing | Bérengère Saint-Bezar | Script Supervisor |
Sound | Florent Denizot | Sound Mixer |
Directing | Pierre Coré | Director |