London, England, November 5th, 1892, Guy Fawkes Night. The famous playwright Oscar Wilde and his lover Lord Alfred Douglas discreetly go to a luxury brothel where the owner, Alfred Taylor, has prepared a surprise for the renowned author: a private and very special performance of his play Salome, banned by the authorities, in which Taylor himself and the peculiar inhabitants of the exclusive establishment will participate.
Unfortunately the movie Salome's Last Dance is not yet available on HBO Max.
| Directing | Ken Russell | Director |
| Writing | Oscar Wilde | Theatre Play |
| Writing | Ken Russell | Screenplay |
| Editing | Timothy Gee | Editor |
| Production | Dan Ireland | Executive Producer |
| Camera | Dean Morris | Clapper Loader |
| Sound | Simon Manley | Assistant Sound Editor |
| Costume & Make-Up | Michael Annals | Costume Designer |
| Costume & Make-Up | Catherine Halloran | Wardrobe Assistant |
| Sound | Ray Beckett | Sound Mixer |
| Directing | Melinda Rees | Script Supervisor |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Costume & Make-Up | Michael Jeffery | Hair Designer |
| Art | Michael Buchanan | Art Direction |
| Directing | Jerry Daly | Second Assistant Director |
| Production | Rebecca West | Producer's Assistant |
| Camera | Clive Coote | Still Photographer |
| Costume & Make-Up | Michael Jeffery | Wardrobe Supervisor |
| Costume & Make-Up | Daphne Vollmer | Hairdresser |
| Costume & Make-Up | Sallie Evans | Assistant Makeup Artist |
| Costume & Make-Up | Sula Loizou | Assistant Makeup Artist |
| Sound | John Chandler | Boom Operator |
| Sound | John Ireland | Sound Editor |
| Art | Ella Cottrell | Property Buyer |
| Sound | Tracey Sheffield | Foley Editor |
| Costume & Make-Up | Michael Jeffery | Costume Designer |
| Production | Penny Corke | Producer |
| Crew | Arlene Phillips | Choreographer |
| Art | Denise Ruben | Set Dresser |
| Art | Ron Allett | Property Master |
| Art | Paul Turner | Standby Property Master |
| Sound | Martin Culverwell | Sound Engineer |
| Sound | Jean Sheffield | Foley Editor |
| Art | Christopher Hobbs | Set Designer |
| Directing | Trevor Puckle | Third Assistant Director |
| Costume & Make-Up | Liz Michie | Key Hairdresser |
| Camera | Harvey Harrison | Director of Photography |
| Camera | Mike Evans | Focus Puller |
| Production | William J. Quigley | Executive Producer |
| Camera | Gareth Hall | Assistant Camera |
| Directing | Mike Gowans | First Assistant Director |
| Production | Nicky Bowen | Assistant Accountant |
| Costume & Make-Up | Yvonne Coppard | Makeup Artist |
| Production | Winnie Wishart | Production Coordinator |
| Costume & Make-Up | Diane Murphy | Wardrobe Assistant |
| Production | Robert Littman | Co-Producer |
| Costume & Make-Up | Mark Nelson | Assistant Hairdresser |
| Costume & Make-Up | Maureen Stephenson | Assistant Makeup Artist |
| Crew | Wanda Rokicki | Choreographer |
| Costume & Make-Up | Pay Hay | Key Makeup Artist |
| Production | Rebecca Howard | Casting Director |
| Sound | Brian Saunders | Sound Re-Recording Assistant |
| Sound | Dick Lewzey | Music Editor |
| Production | Ronaldo Vasconcellos | Associate Producer |
| Camera | Mark Ellis | Key Grip |
| Editing | Keith Lowes | First Assistant Editor |
| Art | Steve Ede | Construction Manager |
| Sound | Sean Cotter | Music Editor |
| Lighting | Denis Brock | Gaffer |
| Art | Michael Buchanan | Production Design |
| Production | Robert Littman | Co-Producer |
| Costume & Make-Up | Pat Hay | Makeup Supervisor |
| Costume & Make-Up | Liz Michie | Hairstylist |
| Costume & Make-Up | Daphne Vollmer | Hairstylist |
