Georges Duroy travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.
Unfortunately the movie Bel Ami is not yet available on HBO Max.
| Writing | Guy de Maupassant | Novel |
| Directing | Declan Donnellan | Director |
| Writing | Rachel Bennette | Screenplay |
| Directing | Nick Ormerod | Director |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Editing | Neil Williams | First Assistant Editor |
| Crew | Jane Gibson | Choreographer |
| Camera | Hagen Bogdanski | Additional Photography |
| Costume & Make-Up | Natalie Humphries | Assistant Costume Designer |
| Production | Michael Harm | Location Manager |
| Editing | Sam Southwick | Dialogue Editor |
| Sound | Yann McCullough | Music Editor |
| Sound | Lakshman Joseph De Saram | Original Music Composer |
| Camera | Stuart Howell | Steadicam Operator |
| Art | Attila Kovács | Production Design |
| Art | Mark Raggett | Supervising Art Director |
| Costume & Make-Up | Jane Petrie | Costume Supervisor |
| Art | Alexandra Collins | Assistant Art Director |
| Art | Sophie Neil | Art Department Assistant |
| Production | Ceri Hughes | Associate Producer |
| Crew | Marc Cass | Stunt Coordinator |
| Costume & Make-Up | Lizzie Lawson | Hairstylist |
| Costume & Make-Up | Jon Henry Gordon | Makeup Artist |
| Lighting | John Colley | Gaffer |
| Directing | Nick Shuttleworth | Second Assistant Director |
| Visual Effects | Stuart Brisdon | Special Effects Supervisor |
| Sound | Robert Farr | Supervising Sound Editor |
| Production | Uberto Pasolini | Producer |
| Production | Laurie Borg | Co-Producer |
| Camera | Stefano Falivene | Director of Photography |
| Directing | Tom Brewster | Third Assistant Director |
| Camera | Stuart Howell | Camera Operator |
| Production | Dan Whitty | Location Manager |
| Art | Anna Lynch-Robinson | Set Decoration |
| Sound | Ian Wilson | Sound Effects Editor |
| Crew | Phil Cairns | Unit Publicist |
| Sound | Simon Hayes | Production Sound Mixer |
| Production | Valentina Coccia | Production Coordinator |
| Camera | Robert Patzelt | Steadicam Operator |
| Crew | Gisela Evert | Post Production Supervisor |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Production | Jennifer Wynne | Production Manager |
| Sound | Robert Farr | Sound Re-Recording Mixer |
| Directing | Zoe Morgan | Script Supervisor |
| Camera | Kerry Brown | Still Photographer |
| Editing | Masahiro Hirakubo | Editor |
| Costume & Make-Up | Lizzie Lawson | Makeup Artist |
| Production | Vanessa Baker | ADR Voice Casting |
| Production | Ildikó Kemény | Associate Producer |
| Sound | Rachel Portman | Original Music Composer |
| Production | Louise O'Malley | Production Accountant |
| Camera | Robert Patzelt | Camera Operator |
| Crew | Ginger Corbett | Unit Publicist |
| Production | Kirsty Kinnear | Casting Assistant |
| Costume & Make-Up | Jon Henry Gordon | Hairstylist |
| Production | Simon Fuller | Executive Producer |
| Directing | Josh Robertson | First Assistant Director |
| Costume & Make-Up | Joe Hopker | Hairstylist |
| Lighting | Vince Madden | Rigging Gaffer |
| Sound | Lakshman Joseph De Saram | Orchestrator |
| Sound | Sam Southwick | ADR Editor |
| Production | Susie Figgis | Casting |
| Crew | Lee Sheward | Stunt Coordinator |
| Art | Dean Clegg | Art Direction |
| Sound | Jeff Atmajian | Orchestrator |
| Visual Effects | Sean Farrow | Visual Effects Supervisor |
| Editing | Gavin Buckley | Editor |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Sound | Arthur Fenn | Boom Operator |
| Costume & Make-Up | Joe Hopker | Makeup Artist |
| Art | Terry Woods | Property Master |
| Sound | Rachel Portman | Orchestrator |
| Crew | Lizzy Follows | Unit Publicist |
