Haydar Ali avenges his family's murder and ends up in prison, where he falls into the orbit of Turkey's most dangerous crime cartel. Recruited by intelligence to dismantle it from within, he must earn the trust of its ruthless boss — a man who becomes his closest ally. Three years later, freedom brings the deadliest complication yet: the woman he never stopped loving is now that same man's wife.
The tranquility in a serene, wealthy community inhabited by some of the world's most prominent individuals explodes when a shocking murder occurs and a high stakes investigation unfolds.
One day, Usagi Tsukino, clumsy 2nd-year middle school student, stumbles upon a talking cat named Luna. Luna tells her that she is destined to be Sailor Moon, "champion of love and justice", and she must search for the fabled Moon Princess. Usagi finds friends that turn out to be destined senshi as well, and together they fight to save the world from the certain doom brought upon by the Dark Kingdom.
Hogan's Heroes is an American television sitcom that ran for 168 episodes from September 17, 1965, to July 4, 1971, on the CBS network. The show was set in a German prisoner of war camp during World War II. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the commandant of the camp, and John Banner was the inept sergeant-of-the-guard, Hans Schultz.
The series was popular during its six-season run. In 2013, creators Bernard Fein through his estate and Albert S. Ruddy acquired the sequel and other separate rights to Hogan's Heroes from Mark Cuban through arbitration and a movie based on the show has been planned.
General Lu Lingfeng and Detective Su Wuming uncover supernatural mysteries and hidden conspiracies threatening the empire during Emperor Xuanzong’s reign.
Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track.
The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart's opening title sequence at No. 2 on its list of TV's Top 10 Credits Sequences, as selected by readers.
Alya Albora arrives in Mardin with her late husband’s funeral and their five-year-old son to fulfill her husband’s last will. However, this arrival marks a point of no return, and there is no way out of Albora. The head of the Albora tribe, Cihan Albora, is not indifferent to Alya’s struggles, but he refuses to let her take her child and leave. Confronting the darkness of the past, hidden secrets, and the harsh realities of the region, Alya Albora finds herself caught in a fierce struggle with her late husband’s family.
AJ is an 8-year-old techie who drives monster-truck Blaze, the top racer in Axle City. The two go on adventures that have them taking on problems involving science and math. Many predicaments they face are caused by Blaze's rival, Crusher, a tractor-trailer that will do anything to beat other vehicles to the finish line. The animated series is billed as the first TV show for preschoolers to comprehensively cover areas of science, technology, engineering and math. Each episode introduces different STEM concepts, including buoyancy and trajectory.
In a bet to prove whether ghosts or aliens exist, two high schoolers face terrifying paranormal threats, gain superpowers and maybe even fall in love?!
Liza Miller, a suddenly single stay-at-home mother, tries to get back into the working world, only to find it’s nearly impossible to start at the bottom at 40-year old. When a chance encounter convinces her she looks younger than she is, Liza tries to pass herself off as 26 and lands a job as an assistant at Empirical Press. Now she just has to make sure no one finds out the secret only she and her best friend Maggie share.
This sitcom series premiered in 1981 and changed its name every year, from "Hong Kong 81" to "Hong Kong 86." It was eventually replaced by a new sitcom called "City Stories." A total of 1330 episodes were produced, making it the second-longest-running series in Hong Kong, after "Come Home Love: Lo and Behold".
Each episode of this series is inspired by current social issues, with early storylines often satirizing society's flaws. The characters, such as "Chen Ji," "Mrs. Shun," "Uncle Mao," "Jue Wu Yin," "Miss Su," "A Wei," and "Ah Kang," mostly hail from the grassroots, leaving a lasting impression on the audience. For example, "Mrs. Shun," portrayed by Lydia Shum, later became a term to describe uneducated women who follow trends blindly. "Chen Ji," played by Lawrence Ng, is a stockbroker who loves to show off his wealth, and his behavior typified that of many Hong Kongers, becoming a byword for the city's nouveau riche.
A legendary Joseon villainess reincarnated in a modern actress’s body clashes with a cold-blooded chaebol heir, sparking a chaotic love-hate romance across centuries.
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.
Jim Buckley of the Pewter Plough Playhouse recalled:
When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors a