The Max Headroom Show started life in the UK in 1985. The show featured actor Matt Frewer playing the role as computer-generated talk-show host Max Headroom.
The story revolves around youths with superpowers, and the challenges and problems they face after acquiring them. In overcoming these difficulties, they grow and mature along the way.
Follows the exploits of Paul Serene and Martin Hatch of Monarch Solutions as well as three Monarch employees (Liam Burke, Charlie Wincott and Fiona Miller) as they fight to prevent or survive the approaching End of Time.
Level Up was a live-action television series that is broadcast on Cartoon Network. A film with the same title, which served as a pilot for the series, premiered on November 23, 2011. The series premiered on Tuesday, January 24, 2012, at 8 p.m. ET/PT. The series later ended on February 19, 2013.
It is one of the only Cartoon Network shows outside of Adult Swim to have the U.S. rating of TV-PG-V. Its rating in Canada for most episodes is "G", or else "PG".
High school student Masato has been living abroad and only now returning to Japan. On his first day at school, he is awoken by Ann, his Arnval model Shinki. As he hurriedly prepares to depart, Ines, an Altines model, and Lene, an Altlene model, both make their way out of the boxes they have been to neatly packed into.
For the sake of their Master, they enthusiastically go about cleaning and squaring away Masato's belongings. In the midst of this, they come across a box labeled Valuable. What could be inside?
Picking up after Karaket's story in 17th century Ayutthaya, life moves on, weaving a tapestry of present day reality. 21st century Phutthan uncovers an ancient manuscript and is transported back in time where she clashes with and falls for Rit—Karaket’s son. Finally, revealing why she is destined to repeat a weary journey from one living to the next, over and over. Can their love break the vicious karmic cycle?
Set in the world of television broadcasting, Na Mi-rae travels back in time to prevent her 32-year-old self from marrying news anchor Kim Shin, thus sending her past self down a different path and enabling her to pursue the things she really wanted in life.
During the Wei and Jin Dynasties, the Yan State faces political turmoil, leading to the downfall of the Duke of Zhen’s family. Murong Yan fakes his death to reclaim power, Murong Chen trains to destroy demons for revenge, and Murong Yi, cast out to the Wolf Tribe, transforms into one. As the three siblings are entangled in war and vengeance, they uncover a thousand-year-old conspiracy that could change their fate.
A detective in the major crimes division of Nanxing City Police Department, together with a woman who has super memory, upholds the law one case at a time in solving murders, and burglaries and bringing down a narcotics manufacturing facility.
I-Machines are the general term for robots that operate in extreme environments. While Alliance Academy student Maya Mikuri is in the middle of operating an I-Machine, she gets involved in an incident with pirates, and ends up serving as a crew member on an excavation company's spaceship.
An anthology series featuring adaptations of well-known horror stories, produced by Shelley Duvall. Following the success of her two previous anthology series – Faerie Tale Theatre and Tall Tales & Legends – both of which were aimed at the elementary-school audience, Duvall attempted to branch out to the teenage and adult audience with Nightmare Classics.
The Marked Hour is an anthology series of horror, suspense, and mystery. Each episode tells a story where the macabre, the uncertain and the terrible invade the lives of different characters in completely different scenarios.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.