Secretos de Familia is a Mexican telenovela, remake of Brothers & Sisters by Azteca in 2013. As of January 2013, confirmed cast includes Sergio Basañez and Anette Michel as the protagonists. As of May 13, 2013, Azteca 13 is broadcasting Secretos de Familia, replacing La Otra Cara del Alma.
A love story that transcends three lifetimes—from a Tang Dynasty princess and a monk, to a tea seller and a silversmith, and finally to a modern-day temple abbot and a young historian. As fate intertwines their souls across time, they struggle to fulfill a love that is forever tested by duty, sacrifice, and spiritual awakening.
Bee, a young and spirited girl, is forced to marry Mark in place of her kidnapped cousin to settle her uncle’s debt, thrusting her into an unwanted marriage filled with complications and unexpected consequences.
Guddi is a young girl who lives a happy life with her parents. Unbeknownst to them, she can see premonitions. However, her ability soon turns into a nightmare when she foresees her parents' death, and it tragically comes true. After losing them, Guddi finds shelter with her uncle and aunt, but they oppress her. In her toughest moments, she prays for help and receives it most unexpectedly-from a doll, the last gift her parents gave her. As the doll assists Guddi through her toughest times, others begin to learn of its power.
Choi Eun-seol is a young, married and cheerful woman who works as a researcher at a cosmetics company. Her husband betrays her but with the help of family, she learns to rediscover love and her happiness.
Port Charles is an American television. It is a spin-off of the serial General Hospital
In the first few years, Port Charles got a reputation for focusing most of its energies on the medical school program, setting more of its main action at Port Charles' General Hospital than was seen on the parent show, General Hospital. As it evolved, it turned its focus to stories with gothic intrigue that included themes such as forbidden love, vampires, and life after death. It also abandoned the basic open-ended writing style used on all other daytime dramas in December 2000, instead creating thirteen-week story arcs. This type of storytelling is a staple of Latin telenovelas. It also allowed the cast, crew, and writing staff to only work six months out of the year.