La Hija Del Jardinero is a Mexican telenovela directed by Luis Alberto Lamata. It aired from August 18, 2003 until April 23, 2004 on TV Azteca in Mexico.
The story follows the experiences of Marina, a young country bumpkin who marries the mysterious and charismatic widower Roberto Stein, a fabulously wealthy businessman living in 1920s Rio de Janeiro. As Marina attempts to acclimate to her new marriage and responsibilities, she discovers that Stein's late wife, Alice, still seems to have a strong hold over the household. Despite her new husband's affection for her, Marina is nonetheless threatened by Alice's presence, which is made conspicuous through her old maid Juliana's obsessions and her intimidating portrait.
Another World is an American television soap opera that ran on NBC for 35 years from May 4, 1964 to June 25, 1999. Set in the fictional town of Bay City, the show in its early years opens with announcer Bill Wolff intoning its epigram, “We do not live in this world alone, but in a thousand other worlds,” which Phillips said represented the difference between “the world of events we live in, and the world of feelings and dreams that we strive for.” Another World focused less on the conventional drama of domestic life as seen in other soap operas, and more on exotic melodrama between families of different classes and philosophies.
A billionaire who, as a result of his death, leaves an inheritance of 100 million dollars to his three daughters. But in order for them to receive the money, they must follow some exclusive conditions such as living in his mansion, marrying within a year and arriving there before midnight. Problems scalate when a fourth heir appears...
Sabina Astudillo is an ordinary, young but ambitious woman who is willing to do anything to seduce Leonardo Sandander a presidential candidate to become the First Lady of Chile.
Anamika is a television series on Sony Entertainment Television India and Sony Entertainment Television Asia which premiered on 26 November 2012 and went off-air on 13 September 2013. It is Vikas Seth's debut show as a producer on Sony Television and is based on a love story with a supernatural touch. It airs in Pakistan on Express Entertainment
This anthology series reflects societal issues. With a circulating cast of famous actors, each episode presents a new story to remind us that what we put out into the world, we receive in turn.
Massaya's father, who is the adoptive son of the Rattanamahasarn family, is kicked out, along with his wife and child, of the Rattanamahasarn family for marrying her mother, who's believed to be a "low class" Malay woman. Both parents have passed away early she was brought up by her maternal grandfather.
Paper Dolls is an American prime time soap opera which aired for 14 episodes on ABC from September 23, 1984 to December 25, 1984. Set in New York's fashion industry, the show centered around top modeling agency owner Racine, her conflicts with the family of cosmetics tycoon Grant Harper, and the careers of two teenage models. The series was based on a 1982 TV movie of the same name.
La Otra Cara del Alma, previously known as Ángel Caído, La Otra Cara de Alma and El Otro Lado del alma, is a Mexican telenovela produced by Azteca. It stars Gabriela Spanic, Eduardo Capetillo, Michelle Vieth, Jorge Alberti, Amaranta Ruiz, Ramiro Huerta, Sergio Klainer and Saby Kamalich. It is a remake of El angel caido which starred Rebecca Jones, produced by Televisa in 1985.
From November 12, 2012 to May 10, 2013, Azteca Trece broadcast La Otra Cara de Alma, Monday thru Friday at 8:30pm, replacing Amor Cautivo.
Béatrice Clément is a 48-year-old emergency room doctor. She is pretty, charming and at the top of her professional game. The only problem is, Béatrice hasn’t been feeling well. Having undergone every test available without any conclusive results, she is at the end of her rope. Finally, she overcomes her skepticism and agrees to visit a psychologist. Dr. P is gentle, attentive and compassionate. Despite Béatrice’s initial resistance, he slowly but surely gains her trust. Every week, Béatrice is confronted with patients who remind her of her own personal struggles. It is becoming clear that although she is fully in control of the ER, her private life is another matter entirely. In her drive for constant perfection and control, she is faced with comical and embarrassing situations, but also painful ones.