In this series we explore the unknown corners of Africa, delving past the fame of the Big Five we uncover a treasure trove of Hidden Kingdoms, fertile ecosystems are brimming with natural secrets.
Wide Angle was an American documentary television series produced by Thirteen/WNET New York for broadcast on PBS and for worldwide distribution. The weekly one-hour series covered international current affairs and was last hosted by veteran journalist Aaron Brown. Wide Angle began broadcasting on PBS in 2002, and aimed to expand the awareness and understanding of Americans about the changing world in which they live. It was the only documentary series on American television devoted exclusively to reporting in-depth on international issues.Following its final season it was nominated for a 2010 International Documentary Association Continuing Series award.
A real initiatory journey that, through the discovery and the story of myths, legends, inexplicable events and macabre details, will lead the viewer and the conductor to confront each one with their own fears.
The Mark Thomas Comedy Product was a television show fronted by the English comedian, presenter, political activist and reporter, Mark Thomas. It was broadcast in the UK on Channel 4 from February 1996 to May 2002.
The show, described as "a brilliantly ludicrous alternative to Watchdog", was a hybrid of comedy and serious politics, with Thomas often using silly or surreal methods to gain interviews with politicians and corporations and to highlight issues.
The crimes that are distinct to one U.S. region, whether it is bodies that turn up in swamps in the Bayou, killers stalking the sandy beaches of the Jersey Shore, victims lusting for fame in the Hollywood Hills, or screams lost in the cold Alaskan tundra. The series illuminates what connects these crimes to their environments and what makes them so uniquely American.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls “cine-writing,” traveling from Rue Daguerre in Paris to Los Angeles and Beijing.