Fuutarou Uesugi is a poor, antisocial ace student who one day meets the rich transfer student Itsuki Nakano. They argue but when Uesugi realizes he is to be her tutor, he tries to get on better terms. While trying to do so he meets four other girls.
Journey to the West is a Hong Kong television series adapted from the classical novel of the same title. Starring Dicky Cheung, Kwong Wah, Wayne Lai and Evergreen Mak, the series was produced by TVB and was first broadcast on TVB Jade in Hong Kong in November 1996. A sequel, Journey to the West II, was broadcast in 1998, but the role of the Monkey King was played by Benny Chan instead, due to contract problems between Dicky Cheung and TVB. Cheung later reprised the role in another television series The Monkey King: Quest for the Sutra, which was broadcast on TVB but not produced by the station.
A relevant, timely and distinctive coming-of-age story following a half dozen interrelated characters in the South Side of Chicago. The story centers on Brandon, an ambitious and confident young man who dreams about opening a restaurant of his own someday, but is conflicted between the promise of a new life and his responsibility to his mother and teenage brother back in the South Side.
Even though two brothers are completely separated from each other after the imprisoning of their father and the kidnapping of their twin brother, they meet by coincidence years after when both choose to enter the police academy.
Reena’s life turns upside down when her husband’s younger brother comes to meet and she falls for him, but later on when the time of troubles arrive, he abandons Reena and leaves her in despair.
Murdered by a demonic being, 15-year-old Yuji Sakai has his life force replaced by a flame that dims with each day. When the flame dies, no one will remember he was ever alive. This is how he meets Shana: a warrior with a burning sword, and the will of a god as her guide. The two form a bond as Yuji becomes Shana’s accomplice in her battles to keep the balance between the ordinary world and hers.
Set in 1932 Los Angeles, the series focuses on the origin story of famed defense lawyer Perry Mason. Living check-to-check as a low-rent private investigator, Mason is haunted by his wartime experiences in France and suffering the effects of a broken marriage. L.A. is booming while the rest of the country recovers from the Great Depression — but a kidnapping gone very wrong leads to Mason exposing a fractured city as he uncovers the truth of the crime.
When they're not hanging out at their favorite hot dog stand pontificating on what they'd go through to enjoy a night with their favorite female celebrities, Jared Franklin and Peter Bash are chasing down their latest clients...sometimes literally. With business cards in hand, they're ready to nab a client within seconds after a car accident, arrest for solicitation or any other incident where their legal services may be needed. Once in the courtroom, they show their flair for the dramatic and the shocking.
After discovering that his late father has gone through most of the family fortune, Tod Stiles hits the title trans-America highway in his Corvette in search of adventure with friend Buz Murdock, a survivor of New York's mean streets. The two work odd jobs as they meet and interact with colorful characters and find themselves plunged into one situation after another, some of them romantic, some of them very dangerous. Later, Linc Case, a Vietnam war hero trying to find himself, takes over as Tod's travel companion.
The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.
Desperate to escape from his emotional baggage and the heavy responsibility he’s had all his life, a psychiatric ward worker begins to heal with help from the unexpected – a woman who writes fairy tales but doesn’t believe in them.
In 1991 Miami, Dexter Morgan transitions from student to avenging serial killer. When his bloodthirsty urges can't be ignored any longer, Dexter must learn to channel his inner darkness. With the guidance of his father, Harry, he adopts a Code designed to help him find and kill people who deserve to be eliminated from society without getting on law enforcements' radar. This is a particular challenge for young Dexter as he begins a forensics internship at the Miami Metro Police Department.
Follow the journey of an extraordinary young girl as she evades the relentless pursuit of an off-book CIA agent and tries to unearth the truth behind who she is.
Centered around a personally troubled, officially discredited police chief and his inharmonious police team in Ankara Police Force. Even though the show usually focuses on murders and other crimes that happens on a weekly basis, the undertone of the story leads to an eventual duel between Behzat Ç. and the rotten department officials and bureaucrats.
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.
Jim Buckley of the Pewter Plough Playhouse recalled:
When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors a