A love triangle between Dan Sommerdahl, his wife Marianne Sommerdahl and their best friend Flemming Torp occurs as they try to solves killings in Helsingør.
In the Heat of the Night is an American television series based on the motion picture and novel of the same name starring Carroll O'Connor as the white police chief William Gillespie, and Howard Rollins as the African-American police detective Virgil Tibbs. It was broadcast on NBC from 1988 until 1992, and then on CBS until 1995. Its executive producers were Fred Silverman, Juanita Bartlett and Carroll O'Connor. TGG Direct released the first season of the series to DVD on August 28, 2012.
Martin Bohm, a widower and single father, is haunted by an inability to connect to his autistic, mute 11-year-old son, Jake. Their relationship and their lives take an extraordinary turn when he discovers his gifted son has the ability to see things that no one else can and the patterns that connect seemingly unrelated events.
Navy SEAL Commander James Reece turns to vengeance as he investigates the mysterious forces behind the murder of his entire platoon. Free from the military's command structure, Reece applies the lessons he's learned from nearly two decades of warfare to hunt down the people responsible.
After Bon accidentally intervenes in a Time Patrol case, he must join Agent Ream in saving innocent lives from the past — while watching history unfold.
Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.
Outside the magical barriers lies a world overrun by fiery beasts known as Flame Demons, and the only ones who can protect humanity are the Fire Hunters. In the dark woods where the beasts roam is where Touko, a young villager, is rescued from attack by one of these skilled trackers, Koushi. But their meeting was no accident, and a new destiny begins.
Yū Amagi is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department's First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the "graveyard of detectives" and ridiculed as the "banishment room where hardened detectives who cannot be fired are sent." Its assembled detectives Kōsuke Samura, Takumi Yamashita, Keita Nagasawa, Tamaki Mizuta, and Masatoshi Katagiri are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi, and time limit, he searches for the meaning of "blank time" which arises from this. He obsesses over the weight of every minute and second of time because of some incident.
When an intriguing novel appears at the bedside of a journalist whose career has been built on revealing transgressions, she is horrified to realize she's a key character in a long-buried story—one that exposes her darkest secret.
From the tony Beverly Hills to the seedy side of Hollywood, LAPD’s elite Robbery Homicide Division is on the case. Fusing classic ripped-from-the-headlines storytelling with the backdrop of LA, the series delves into the high profile crimes of the west coast.
Surfside 6 was an ABC television series which aired from 1960 to 1962. The show centered on a Miami Beach detective agency set on a houseboat and featured Troy Donahue as Sandy Winfield II; Van Williams as Kenny Madison; and Lee Patterson as Dave Thorne. Diane McBain co-starred as socialite Daphne Dutton, whose yacht was berthed next to their houseboat. Margarita Sierra also had a supporting role as Cha Cha O'Brien, an entertainer who worked at The Boom Boom Room, a popular Miami Beach hangout at the Fontainebleau Hotel, directly across the street from Surfside 6. Surfside 6 was in fact a real address in Miami Beach, where an unrelated houseboat was moored at the time; it can also be seen in the sweeping aerial establishing shot of the Fontainebleu in 1964's Goldfinger.