Spandan, a young Agricultural Officer pays an official visit to Khataldingi amidst an intense covid situation. On reaching there, he finds the whole village is infested by a local agro mafia Biju who forces every farmer to use the poor quality products he sells resulting in poor harvest and eventually farmer suicide. Chitto, a local farmer tried to revolt against Biju with his sister Moni. Spandan falls sick in the village and Moni and Chitto save his life. Spandan tries to take confession and support of local farmers against Biju with the help of Chitto and Moni. On the other hand, Biju tries every trick to stop them. Trying to save the innocent farmers from Biju, Spandan is unaware of the fact that time is playing a part in this too. Will he be able to reach his goal or is something worse is waiting to come?
Kaya ng Powers was a weekly fantasy/situational comedy television program that was produced by GMA Network, starring Rhian Ramos, Sheena Halili, Elmo Magalona, Joey Marquez and Rufa Mae Quinto.
The children of Vivi Ornitier—Mel, Koln, Luciola, Théa, Fala, and Doc—are the last black mages in the four continents. Living in the city of Alexandria, the children live a peaceful life, until, one day, Koln discovers Mel frozen like a statue—could the tragic legacy of their father be finally catching up to them?
Fantadroms is a Latvian children's sci-fi cartoon by production company Studio Dauka. The episodes were released sporadically between 1985 and 1995, and all thirteen of them were released as a collection on DVD in 2006. The hero of the show is a yellow shape-shifting robot called Indrikis XIII, who usually takes the form of a cat. He flies through space, mediating various disputes between the other characters. One recurring dynamic in the show is the love triangle between Indrikis XIII and Receklite - the flying purple cat-octopus with whom he is in love with, and the rat – who is in love with Indrikis. Other recurring characters include a cow, a (human) woman, and an amorphous pink blob. The episode "Salt" won the Lielais Kristaps award for best animation in 1985. The show has no dialogue and drama unfolds through pantomime and expressive noises such as grunts, groans, and laughter, which allows the show to cross language barriers.
A mysterious Japanese teenager arrives in the rural town of Lushan in 1999, sparking a series of strange events that culminates in a few high school teens suddenly receiving mutations that grant them special powers. As they try to understand their newfound abilities, an unspeakable horror begins to haunt the small town.
Thirty years later, in the now expanded, cyber-punk city, a detective begins to investigate a series of gruesome murders that seem to have some connection to the events of the past. As he journeys deeper into a labyrinth of ritual sacrifice and grotesque mutilation, he begins to uncover a conspiracy two billion years in the making.
An online Doctor Who/Torchwood fan film series showing the adventures of a Time Agency branch as they investigate and fight against extra-terrestrial and terrestrial threats.
Walking in Circles is an American comedy web series created by Adam Rady and James Rodehaver. The show revolves around a group of adventurers on a quest to slay Sithalazalamazar, a dragon who had previously killed one of the adventurer's fathers. The series has been described by its creators as "The Office meets Lord of the Rings." The show itself follows a mockumentary format, featuring "whip-smart dialogue" with much of the humor derived from role-playing games like Dungeons & Dragons.
Cô nàng bất đắc dĩ is a Vietnamese television series, shown first on VTV3 channel. This movie bought the rights from the film adaptation of Argentina - Lalola.
When the dysfunctional government, The Confederate Alliance, decides to create a documentary of the flagship Nobility, political turmoil breaks out as it becomes apparent that the crew of the Nobility aren't the heroes they were looking for - but they just may be the heroes humanity needs
A poignant, unflinching look into the future, where the cold precision of technology collides with the fragile essence of humanity. Six distinct stories unfold — eachtracing a different path, yet converging on a singular question: in a future when memories can be erased, identities rewritten, and fate engineered, what remains trulyours? At the edge of civilization, love lingers in the void, freedom demands its price, and companionship becomes a quiet defiance against oblivion. Science fiction isnot merely a vision of what’s to come tomorrow, but a mirror reflecting who we are today.