Qué Pobres Tan Ricos is the story of the Ruizpalacios family, millionaires who suddenly lose their fortune, and the Menchaca family. The Ruizpalacios must leave their home, and they find that the only place where they can live is with the Menchacas in the Menchaca's modest home.
This sitcom soap opera tells the story of a simple mixed Betawi and Sundanese family, namely the Bajuri and Oneng families, who earn just barely because the husband is just a bajaj driver while the wife runs a small salon. They live at home with Eti, Oneng's mother, who is usually called Emak. Their simple lives and their surrounding environment are shown to illustrate the situation of the suburban communities in Jakarta.
The soap opera tells the story of two families: Cardoso and Guimarães whose bosses are, one of them, bank manager and the other owner of a textile factory, linked to the world of fashion.
La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela.
Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.
Llena de amor is a Mexican Spanish-language soap opera, produced by Televisa, that began airing in 2010. It is a remake of the 2002–2003 Venezuelan telenovela Mi Gorda Bella, which itself was inspired by the 1999–2001 Colombian telenovela Yo soy Betty, la fea.
Llena de amor is about Marianela, an overweight girl, played by Ariadne Díaz, who is caught up in a set of family intrigues when she moves in with her aunt and uncle after becoming an orphan. The show premiered on May 3, 2010 in Mexico. It is produced by Angelli Nesma Medina. It formally aired in the United States on Univision at 7pm/6pm central from August 9, 2010 to April 19, 2011, replacing Mi Pecado.
Cordel Encantado is an epic telenovela encircled by castles, kings and outlaws that tells a majestic love story between Azucena and Jesuino: two noble spirited young people who are unaware of their true origins. Beautiful Azucena and her hero Jesuíno go through many adventures in their determination to stay together.
Albert, the Rockefeller is a Brazilian telenovela produced by TV Tupi and aired from November 4, 1968 to November 30, 1969. It was created by Cassiano Gabus Mendes, written by Bráulio Pedroso and directed by Lima Duarte and Walter Avancini.
The main theme of the series tells the story about private lives of a group of women who are frequent clients of “Angelica Style”, a prestigious beauty clinic. This group of women, Angelica, Nora, Mercedes, Samantha, Loreto, Vanesa, Lilí, Gabriela, Fernanda and Cecilia, have one thing in common: they have all failed to find the men of their dreams. As the stories blend, their different personalities are shown and their deepest wishes are revealed. They want to find a man who can understand them with freedom and love.
The former expert in fireworks, José Clementino gets a job as a bricklayer in the construction of a magnificent shopping center, one of the many works carried out by the construction engineer, César Toledo. During the feast of the ridge, where engineers and workers gather to celebrate the laying of the slab work, Clementino's wife flirts with several men. At one point, when he gives for the missing woman, Mason goes looking for her and is in a far corner of the building having sex with two men. Overcome with rage, Clementino kills his wife and one of the men paddle strokes. The family hears the screams and Toledo contains Clementino, with the help of a group of workers. Shocked by the violence of the employee, the employer called the police, and even later, an indictment against him at trial. His testimony is crucial to the conviction of Clementino, to discover their terrible crimes and audacious, which is a court suspicious.
The Sabino Machado family, their slaves and entourage spend years frozen in the ocean after a shipwreck in 1886. They wake up gradually, one by one, and must learn to deal with the technology and the human idiosyncrasies of the present times. Among cultural and temporal shocks, "the frozen ones" encounter improbable friendships, romances and greedy people, while fighting prejudices that not even time was able to eradicate.