In a valley marked by sugarcane fields, a curse unleashes conflicts between generations. Forbidden loves, broken loyalties, and buried secrets reveal a gripping story where the past and present converge in an inescapable destiny.
Como en el Cine is a Mexican telenovela produced by TV Azteca in 2001. Created by Veronica Suarez, it was directed, produced and executive produced by Don Antulio Jimenez Pons. Lorena Rojas and Mauricio Ochmann are the Main Protagonists.
Different strokes for different folks - says the proverb. Born a rabble dies a rabble. But this is the year 1700, the time of dramatic changes in the Russian Empire, the time of reformations carried out by Peter the Great. Young serf Ivan Starshov is head over heels in love with Maria, the daughter of his master. He doesn't want to accept that the young princess is no match for him. "You gave me wishes, but you do not allow me to satisfy them!" rages Ivan against God. He asks a priest for help, since God created all people equal. But the priest repeats the proverb. Accept your fate destiny as it is. In despair, Starshov repudiates from faith. Ivan is stubborn; he leaves the village to take possession of his fate. This is how the protagonist gets on the winding road to the true understanding of Love.
Police chief Fernándo Gomez Miranda kills his friend, the well-respected lawyer and likely candidate for Attorney General, Raúl de Los Reyes and his youngest daughter of only thirteen in a vehicle ambush. Gomez' son, Luis Mario – a sad-eyed broadcast journalist of passionate conviction – arrives on the scene soon after with his camera and discovers a wounded survivor in the car; Camila, the eldest daughter of de Los Reyes. Luis rushes her to the hospital, saving her life and thereby creating a bond between them that he cannot escape. Luis' half-brother, police detective Alfonso Carbajal, is assigned to the case. An old schoolmate of Camila's, Alfonso has long been in love with her and conflicts arise when all evidence points to Camila being involved in the drug trade. The two brothers find themselves caught between their professional duty that would require them to expose Camila and their desire to protect her.
Manda and Indy are a loving pair of sisters. Their mother died while giving birth to Indy. Since then, Manda and Indy lived alone with their father. One day, on his way home, their father died due to an accident. After their father's death, Manda and Indy decided to find their grandfather only with a photo in their hand. Before they left, Manda gave Indy a heart-shaped pendant bearing the name of his mother, Rianty. Meanwhile, Manda wore a pendant bearing the name of their father, Indra. But on the way they got separated. Years went by, suddenly Manda met someone who claimed to be Indy.
Phuwanai is a cop whose father owns a pig farm. He gets a leave from work and decides to help his father with the farm. Paipaya is a dancer who witnessed the mob killing someone, so she runs away from them and ends up hiding at Phuwanai's farm, pretending to be his nephew's tutor.
The big shot Albert returns after three years, reuniting with his family — his parents and his sister. And he gets in touch with some acquaintances, such as his old friend Vitório and a decadent high society woman. And once again Albert, the Rockefeller gets involved with millionaires and opportunists.
Canavial de Paixões is a Brazilian telenovela produced and shown by the Sistema Brasileiro de Televisão from 13 October 2003 through 22 March 2004. Based the original text of Caridad Bravo Adams, it was translated into the Portuguese for Enrique Zambelli and Simoni Boer, with supervision of text of Ecila Pedroso and general direction of teledramaturgia of David Grimberg. It had 118 chapters.
Bianca Castanho and Gustavo Haddad are the main protagonists. Débora Duarte, Helena Fernandes, Oscar Magrini are the main antagonists.
Las Juanas is a Colombian telenovela. It first aired in 1997 on the Colombian Network RCN. The show was written by Bernardo Romero Pereira, and was his most successful telenovela after the globally distributed series Café and Yo Soy Betty, La Fea.
Three very different parents meet day after day at the door of a kindergarten, each have different difficulties. By sharing their experiences together they form a close friendship.