An ancient genie is released from a lamp when thieves ransack an old woman's house. They are killed and the lamp is moved to a museum to be studied. The curator's daughter is soon possessed by the genie and invites her friends to spend the night at the museum, along with some uninvited guests...
Unfortunately the movie The Outing is not yet available on HBO Max.
Directing | Tom Daley | Director |
Writing | Warren Chaney | Writer |
Editing | Claudio M. Cutry | Editor |
Crew | Brian Wade | Makeup Effects |
Production | D.W. Chaney | Casting |
Sound | Joel Rosenbaum | Original Music Composer |
Production | Warren Chaney | Producer |
Camera | Herbert Raditschnig | Director of Photography |
Art | John Frick | Set Decoration |
Production | Deborah Winters | Associate Producer |
Crew | Bill Forsche | Makeup Effects |
Costume & Make-Up | Rona Lamont | Costume Design |
Crew | John Blake | Makeup Effects |
Art | Robert A. Burns | Production Design |
Crew | Thomas Floutz | Makeup Effects |
Production | Fred T. Kuehnert | Executive Producer |
Production | Mohammad Sanousi | Executive Producer |
Sound | Bruce Miller | Original Music Composer |
Crew | Neil Summers | Stunt Coordinator |
Lighting | Dwight Cary | Best Boy Electric |
Costume & Make-Up | John Blake | Special Effects Makeup Artist |
Sound | Tim Himes | Sound Mixer |
Sound | Alan Holly | Foley Mixer |
Costume & Make-Up | Jack Bridwell | Special Effects Makeup Artist |
Costume & Make-Up | John Naulin | Special Effects Makeup Artist |
Lighting | Robert Gray | Gaffer |
Camera | Michael Rothenberg | First Assistant Camera |
Crew | D.W. Chaney | Studio Teacher |
Production | Waverly Evans | Production Coordinator |
Directing | Kim Fusch | Second Unit First Assistant Director |
Art | Chris Meyer | Property Master |
Sound | Richard Tyler | Sound Re-Recording Mixer |
Costume & Make-Up | Steven Summerfield | Special Effects Makeup Artist |
Camera | Glenn Steward | Key Grip |
Crew | Jim Picciolo | Animal Wrangler |
Directing | Warren Chaney | Second Unit Director |
Sound | Duane Hensel | Assistant Foley Artist |
Sound | Don MacDougall | Sound Re-Recording Mixer |
Costume & Make-Up | Jim Gill | Special Effects Makeup Artist |
Visual Effects | David Prentis | Rotoscoping Artist |
Camera | Roy Alan Wilson | Still Photographer |
Costume & Make-Up | Bill Forsche | Special Effects Makeup Artist |
Sound | Bob Waller | Boom Operator |
Costume & Make-Up | Barbara Anne Bock | Special Effects Makeup Artist |
Crew | Frankie Inez | Special Effects |
Costume & Make-Up | Bart Mixon | Special Effects Makeup Artist |
Directing | Paula Barrett-Barbier | Script Supervisor |
Sound | Kevin Hearst | Sound Editor |
Visual Effects | David L. Hewitt | Visual Effects Supervisor |
Camera | Ingo Raditschnig | Second Assistant Camera |
Crew | Curtis Herman | Stand In |
Costume & Make-Up | Brian Wade | Special Effects Makeup Artist |
Production | Sanford Hampton | Production Manager |
Sound | John L. Mack | Sound Re-Recording Mixer |
Costume & Make-Up | James McLoughlin | Special Effects Makeup Artist |
Crew | Kevin Mazeika | Stunts |
Crew | David Sanders | Stunts |
Lighting | Doug Sutton | Chief Lighting Technician |
Crew | Melissa Zoelle | Stand In |
Art | Bill Forsche | Sculptor |
Sound | Dan Hegeman | Sound Editor |
Visual Effects | Frankie Inez | Special Effects Supervisor |
Costume & Make-Up | Ron Clark | Makeup & Hair |
Costume & Make-Up | Rick Jones | Makeup & Hair |
Directing | Beverly Wilson-Wilson | Second Assistant Director |
Sound | Steve Mann | Sound Designer |
Crew | Lesley Chaney | Special Effects Assistant |
Costume & Make-Up | Richard Mayone | Special Effects Makeup Artist |
Crew | David L. Hewitt | Visual Effects Design Consultant |
Crew | Cherie Sanders | Stunts |
Camera | Randy Nolen | Steadicam Operator |
Costume & Make-Up | Thomas Floutz | Special Effects Makeup Artist |
Directing | Sanford Hampton | First Assistant Director |
Costume & Make-Up | Paul Clemens | Special Effects Makeup Artist |
Crew | Tom Hartigan | Special Effects Assistant |
Crew | Maeve Crommie | Stunts |
Camera | Ralph Watson | Steadicam Operator |
Editing | Chuck Weiss | Associate Editor |
Art | Chuck Singleton | Construction Manager |
Costume & Make-Up | Nichael Boggio | Special Effects Makeup Artist |
Crew | Raymond Fielding | Visual Effects Design Consultant |
Crew | Dick Hancock | Stunts |
Camera | Sean Maxwell | Dolly Grip |
Production | Beverly Wilson-Wilson | Production Assistant |
Directing | Matt Hinkley | First Assistant Director |
Sound | Earl Watson | Dialogue Editor |
Crew | Christopher Swift | Special Effects Coordinator |
Camera | Brown Cooper | First Assistant Camera |
Lighting | Richard Cromtom | Best Boy Electric |
Camera | Mike Gilles | Grip |
Sound | Kim Fowler | Assistant Foley Artist |
Costume & Make-Up | Gabriel Bartalos | Special Effects Makeup Artist |
Lighting | Kevin Wadowski | Best Boy Lighting Technician |
Directing | Mark S. Thomas | Script Supervisor |
Art | Larry Navarro | Production Illustrator |
Sound | Cathie Speakman | Sound Editor |
Visual Effects | Frank 'Paco' Munoz | Special Effects Supervisor |
Camera | Claudia Bailey | Second Assistant Camera |
Camera | Scott Smith | Second Unit Director of Photography |
Production | Adam Chuck | Post Production Coordinator |
Sound | Gary Firth | Music Coordinator |
Sound | Bob Waller | Sound Mixer |
Crew | Bettie Kauffman | Special Effects Coordinator |
Lighting | Mark Wells | Gaffer |
Production | Beverly Wilson-Wilson | Extras Casting |
Sound | Richard Marvin | Music Programmer |
Sound | Frank McKelvey | Music Editor |
Production | Patricia Balderas | Production Coordinator |
Camera | Scott Howell | Key Grip |