Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.
Unfortunately the movie Hollow Man is not yet available on HBO Max.
Production | Marion Rosenberg | Executive Producer |
Editing | Mark Goldblatt | Editor |
Directing | Paul Verhoeven | Director |
Camera | Jost Vacano | Director of Photography |
Writing | Andrew W. Marlowe | Screenplay |
Production | Douglas Wick | Producer |
Production | Alan Marshall | Producer |
Editing | Ron Vignone | Editor |
Sound | Jerry Goldsmith | Original Music Composer |
Production | Howard Feuer | Casting |
Costume & Make-Up | Ellen Mirojnick | Costume Design |
Production | Stacy Lumbrezer | Co-Producer |
Production | Kenneth Silverstein | Associate Producer |
Directing | Louis D'Esposito | First Assistant Director |
Production | Chris Silver Finigan | Production Accountant |
Camera | Jim Gordon | Grip |
Costume & Make-Up | Alec Gillis | Makeup Designer |
Crew | Aaron Katz | Video Assist Operator |
Lighting | Shane D. Kelly | Gaffer |
Sound | Darrell Hall | Music Editor |
Visual Effects | B.Z. Petroff | Visual Effects Producer |
Crew | Edward Bellafiore | Production Office Assistant |
Art | Teri Anne Kopp | Property Master |
Writing | Andrew W. Marlowe | Story |
Costume & Make-Up | James W. Tyson | Costume Supervisor |
Costume & Make-Up | Carrie Bauer | Set Costumer |
Crew | Daniel C. McFadden | Loader |
Crew | Craig T. Currie | Propmaker |
Crew | Michael Haboush | Stand In |
Crew | Stanley Brossette | Unit Publicist |
Visual Effects | Tom Gibbons | Animation Supervisor |
Art | John M. Dwyer | Set Decoration |
Crew | Kevin Flatow | Post Production Assistant |
Editing | Catherine Chase | First Assistant Editor |
Sound | Raul A. Bruce | Boom Operator |
Visual Effects | Carol Ashley | 3D Artist |
Art | Dale Allen Pelton | Art Direction |
Art | Sue Chan | Assistant Art Director |
Art | Don Lanning | Sculptor |
Visual Effects | Kandece Brown | Visual Effects Coordinator |
Art | Allan Cameron | Production Design |
Art | Joseph Martin | Location Scout |
Camera | John Trapman | Camera Operator |
Crew | Ken Bellanca | Driver |
Camera | Gregory Irwin | First Assistant Camera |
Crew | Jim Berney | CG Supervisor |
Crew | Peter S. Elliot | Visual Effects Editor |
Directing | Haley McLane | Script Supervisor |
Crew | Gary Combs | Stunt Coordinator |
Lighting | Rell Putt | Rigging Grip |
Production | Mitchell Bell | Production Coordinator |
Visual Effects | Mitch Deoudes | Visual Effects |
Art | Daniel R. Jennings | Set Designer |
Crew | Brian Feeney | Set Production Assistant |
Crew | Chris Allen | Software Engineer |
Crew | Greg Brickman | Stunts |
Crew | Joel Renfro | Transportation Coordinator |
Editing | Jim Passon | Color Timer |
Art | Mike Larrabee | Painter |
Crew | Mark Schouten | Carpenter |
Sound | Joseph Geisinger | Production Sound Mixer |
Crew | Colin Epstein | Sequence Leads |
Art | Miles Teves | Conceptual Design |
Visual Effects | Craig Hayes | Visual Effects Supervisor |
Art | Katherine Lambert | Art Department Coordinator |
Costume & Make-Up | Jim Husbands | Set Dressing Artist |
Crew | Todd Bates | Makeup Effects |
Crew | Gerardo De La Cruz | Systems Administrators & Support |
Lighting | Benny McNulty | Best Boy Electric |
Sound | Carmen Flores De Tanis | Assistant Sound Editor |
Visual Effects | Krystin Johnson | CG Painter |
Sound | Alexander Courage | Orchestrator |
Visual Effects | Kenneth Au | Digital Compositors |
Crew | John P. Fasal | Special Sound Effects |
Writing | Gary Scott Thompson | Story |
Camera | Michael Douglas Middleton | Still Photographer |
Costume & Make-Up | Barry R. Koper | Makeup Department Head |
Production | Robert Latham Brown | Production Manager |
Visual Effects | Hans Metz | Special Effects Supervisor |
Crew | Tony Aylett | Machinist |
Art | Jim Wardell | Greensman |
Costume & Make-Up | Luisa Abel | Makeup Artist |
Crew | Matt Byrne | Utility Stunts |
Sound | Scott A. Hecker | Supervising Sound Editor |
Camera | Gary Dagg | Key Grip |
Crew | Scott Stokdyk | Digital Effects Supervisor |
Sound | Jason W. Jennings | Sound Effects Editor |
Lighting | Ken W. Ballantine | Lighting Technician |
Visual Effects | David Rosenthal | I/O Supervisor |
Visual Effects | Todd Vaziri | CG Artist |
Visual Effects | Etienne Andlau | Rotoscoping Artist |
Art | Giacomo G. Ghiazza | Storyboard Artist |
Sound | Richard Duarte | Foley Mixer |
Visual Effects | Jordu Schell | Character Designer |
Production | J. Chan Claggett | Assistant Location Manager |
Directing | Steve Lonano | Second Second Assistant Director |
Sound | Jeena M. Phelps | Assistant Dialogue Editor |
Visual Effects | Ralph Sevazlian | VFX Artist |
Production | David Hickey | Payroll Accountant |
Crew | Richard L. Hill | Pyrotechnician |
Visual Effects | Scott E. Anderson | Senior Visual Effects Supervisor |
Crew | Laura Lee Connery | Stunt Double |
Visual Effects | Erik Lee | CG Animator |
Production | Jennifer Juen | Production Assistant |
Art | Craig T. Shordon | Decorator |
Production | Terri Douglas | ADR Voice Casting |
Visual Effects | Andrew Schwartz | Visual Effects Compositor |
Camera | Brian Mussetter | Assistant Camera |
Sound | Jerry Goldsmith | Conductor |
Production | Stephani Hunter | Production Secretary |
Costume & Make-Up | Edward Gould | Costumer |
Directing | Juanma Fernández París | Second Assistant Director |
Sound | Susan Dudeck | Supervising ADR Editor |
Visual Effects | Greg Derochie | Compositing Lead |
Costume & Make-Up | Dawn Y. Line | Key Costumer |
Crew | Lester Speight | Stunt Driver |
Editing | John Nicolard | Digital Color Timer |
Production | Tish Johnson | Assistant Accountant |
Sound | David Lucarelli | ADR Recordist |
Sound | Nick Vidar | Music Programmer |
Visual Effects | Dennis Webb | I/O Supervisor |
Sound | Matthew Dettmann | Foley Artist |
Sound | Michael J. Benavente | Supervising Dialogue Editor |
Crew | Gary D. Bierend | Special Effects Technician |
Visual Effects | Wayne Kennedy | Character Modelling Supervisor |
Visual Effects | Brennan Doyle | Compositing Supervisor |
Sound | Charleen Richards-Steeves | ADR Mixer |
Production | Paul-Michel Pierre-Benoist | Location Production Assistant |
Sound | Linda Folk | ADR Editor |
Camera | Todd Durboraw | Camera Loader |
Camera | Mike Gentile | Second Assistant Camera |
Editing | Mo Henry | Negative Cutter |
Production | Alonzo Ruvalcaba | Head of Production |
Visual Effects | Uel Hormann | 2D Supervisor |
Camera | David Nims | Dolly Grip |
Production | Sissy Grover | Assistant Production Coordinator |
Sound | Yvette Marxer | Utility Sound |
Visual Effects | Andy King | Visual Effects Technical Director |
Visual Effects | Elizabeth Hitt | Animation Coordinator |
Directing | Scott E. Anderson | Second Unit Director |
Visual Effects | Eric Reynolds | Lead Animator |
Editing | Charlotte Spencer | Assistant Editor |
Costume & Make-Up | Whitney James | Makeup Supervisor |
Crew | Donn Markel | Special Effects Assistant |
Visual Effects | David Stump | VFX Director of Photography |
Production | Kenny Gallagher | Second Assistant Accountant |
Visual Effects | Brian Keeney | Digital Effects Producer |
Visual Effects | Stan Parks | Special Effects Supervisor |
Writing | H.G. Wells | Novel |
Crew | Gilbert B. Combs | Stunt Coordinator |
Crew | Lisa Hoyle | Stunt Double |