Ryota Takeshima (Masataka Kubota) has followed in his father's footsteps and now works as a prison officer at Kitakanto Prison. He has witnessed corrupt prison officers who tolerates bullying and gambling. Soichi Nakui (Yukiyoshi Ozawa) then becomes the newly appointed prison chief. Soichi gives an order to Ryota, informing him that he will get rid of prison corruption.
Hasebe Kaori is a rookie movie director. She consults with new screenwriter Kai Chihiro about her movie's screenplay. The script is based on the Sasazukacho Family Murder Case that occurred 15 years ago. That murder case involved a hikikomori man who murdered his younger sister at their home and then set their home on fire. The fire also killed his parents. The town where the murder took place is also the hometown of Kai Chihiro. Both Hasebe Kaori and Kai Chihiro have secrets related to the family murder case. While Hasebe Kaori and Kai Chihiro look into this murder case for their movie, a shocking truth is uncovered.
Mushi-uta's story takes place in the near future. Ten years before the story's opening, strange insect-like creatures known as "Mushi" began appearing. The Mushi are able to consume peoples' dreams and thoughts in return for supernatural powers. At the end of episode one, protagonist Daisuke "Kakkou" Kusuriya encounters a young girl named Shiika Anmoto. The two, in time, become quite close. However, unbeknownst to Kakkou, Shiika is an escapee from a secret prison known as GARDEN where those posessed by the Mushi, known as the Mushitsuki are held. GARDEN's military force, the Special Environmental Conservation Executive Office, dispatches its finest killer to track down Shiika. However, they are faced with resistance from the Mushibane resistance organisation, led by the secretive "Ladybird."
Starring Kenichi Matsuyama & Directed by Yu Irie! Based on the comic “FUTAGASHIRA” by Natsume Ono. A ransackingly entertaining historical piece filled with the slick tricks and thrilling deceptions of a band of thieves.
Tetsuro Yamasaki returns to his hometown to find that it is in financial crisis. He quits his job and settles in his hometown to help the town get out of this crisis.
Tōko Kisaragi is a detective in the Investigation 1 Section 11 of the Tokyo Metropolitan Police Department. Her senior, Detective Hideaki Takano, has decided to move to the Public Security Bureau. Hideaki Takano's transfer will be carried out in one week. During this time, a murder takes place. A wealthy man is found dead in his home. His throat has been cut and a blue flower placed within the wound. Also, the victim's wife, Mayumi, is missing. A newspaper then receives an email from Kurasuta 16, professing themselves as the murderer. The email also implies the location of Mayumi. Since Detective Hideaki Takano is soon to transfer to the Public Security Bureau, Tōko Kisaragi feels more pressure and responsibility to solve the crime.
Toshi-chan and BB live in a hut with a blue sheet on the banks of the Tama River. Having lived there for several years, they are familiar with the area. The two of them gather cans across town from 4 am in the morning and sleep at 7 pm in order to save money on electricity at night. While they do not have substantial income, they are not particularly concerned about money. They are carefree each day and take pride in being homeless men who can support themselves. Nao, a young female actress from a small theatre company, visits Toshi-chan and BB one day. She is playing a heroine who has a grand romance with the leader of homeless men in her next performance and asks to interview them. This is the beginning of a long night for the trio…
Naoko Kishikawa is a 31 year-old single who works for the undergarment section at a departmental store. She lives with her parents and a younger sister. One day, she meets a Korean photographer, Lee Ji-won. Ji-won's presence gradually changes Naoko and her family.
Miyuki Amaya belongs to the sailing team of manned submersible research ship 6K (Shinkai 6500) at JAMSTEC (Japan Agency for Marine-Earth Science and Technology). She dreams of piloting the 6K. Her father was a pilot and a researcher, but died from a disease. Miyuki Amaya’s purpose is to research the deep-sea because her father told her about the deep-sea when she was little. Now, she is a cadet of the pilot. One day, Miyuki Amaya has a chance to get on the 6K, but she finds a tape in her father’s locker. The tape contains horrific images. The image is of an unknown giant creature and pilots that were left alone in the deep-sea. Her father's last moments are contained in the images. The images are totally different from she imagined as the beautiful deep-sea. Miyuki Amaya is now horrified. Can she safely return from the deep-sea?
Yumika is an actress. Since she was a child, she has had to endure her mother Yoshika (Shinobu Terajima) controlling her life. Yoshika is a “poison mother” to Yumika and Yumika cannot tolerate her mother anymore. Yumika appears on a talk show and criticizes her mother. Her criticism causes a sensation.
Meanwhile, people around Yoshika state that she is not a poison mother and she is actually a good mother.
A woman’s dead body is found in an apartment in Kokubunji, Tokyo. The decayed body seems like a half year has passed since its death and it is damaged by domestic cats that ate the body. The woman's death is thought to be a "lonely death" (someone died naturally without anyone noticing for a long period of time). Detective Ayano has doubts about that conclusion. The cats seemed like they were not house trained, which is odd for domestic cats. Detective Ayano wonders whether the cats were really owned by the dead woman. Detective Ayano then finds Suzuki Yoko’s bankbook in an empty fishbowl. It seems like the dead woman is 36-year-old Yoko.
The Abe family consists of French Toma, his Japanese wife Mikiko and their beautiful daughter Yuko. They appear like the perfect family. However, things start to change when Mikiko manages to get her daughter in show business.
Behind the glitzy entertainment industry lies a dark and sinister world: harsh working conditions of production sites, domineering hotshots, and the tragic fate of unpopular talents. This a suspenseful thriller about a man who works at a frontline of the entertainment industry who is entangled in a mysterious game of life and death.
Yosuke Kobayashi, a detective assigned to a homicide unit, saw his wife killed by a serial killer, Shinji Nishizono. From the shock of the incident, he suffers from multiple personality disorder and becomes Kazuhiko Amamiya. Soon after, he manages to hunt down and kill his wife's murderer.
The series features Ueno taking on five roles in five episodes. As the title suggests, each episode involves a bag of some kind, such as a guitar case or a mysterious delivery package.
The body of a person who died an unnatural death is discovered encased in mortar like concrete in the basement of an abandoned building. Why was the person murdered this way? The next day, the investigation task force receives a phone call from the criminal who calls himself Tremi during a meeting to discuss the investigation of the case. Then, in a short time after her transfer to the First Investigative Division, Kisaragi Toko becomes the negotiator. Tremi mocks and provokes the police while offering hints regarding the murder. A second murder soon occurs just as Tremi had warned. The victim's head has been covered with concrete as they had expected. What is the criminal's motive and why is the criminal fixated with concrete? The criminal's surprising actual target soon emerges...
From a gruesome murder to a series of bomb blasts, it's explosive storytelling from beginning to end! This “Crystal's Beating” (Suishō no Kodō) is the sequel to the immensely popular crime suspense drama series “Cocoon of Stone” (Ishi no Mayu), and the long-awaited second instalment in the “Murder Analysis Team” (Satsujin Bunseki-han) series.