First Footprints explores the story of how people arrived and thrived on our continent. With startling new archaeological discoveries revealing how the first Australians adapted, migrated, fought and created in dramatically changing environments.
A look at Australia's billion-dollar political lobbying industry, Christiaan Van Vuuren's unlikely journey shows us why we should care, and how we can safeguard our democracy from being sold to the highest bidder.
Craig Reucassel takes on a climate challenge to reduce our carbon emissions and understand where our energy comes from, how transport and travel emissions affect our health and just what is the carbon footprint of the things we eat?
A revelatory series exploring how #MeToo is changing Australia. Tracey Spicer speaks to ordinary Australians who bravely share their experiences and looks at how the system must be reformed.
A comedy following the topsy-turvy life of Maddie and her friends as they navigate the pandemic, partners, and the new parameters of life, all from the safety of their very own virtual bar.
A fresh look at news and current affairs from inside China going beyond the headlines of trade and politics to examine the challenges and triumphs, the people, the history and the ambition.
The Whiteley Art Scandal tells the riveting story of the greatest art fraud case in Australian history and takes a rare, behind the scenes look at the glamorous and high-stakes world of art dealing.
Candid interview series with Kerry O'Brien revealing the forces that shaped Paul Keating's ambitions, and some of the inside stories from Australian political history
Eagle & Evans is an episodic Australian sketch show and comedy series that first screened on ABC TV in 2004. The series of eight episodes was set in a fictional variety show The Blaze da Silva Experience. The main characters, Eagle and Evans, are the warm-up act for Blaze da Silva, the self-titled "most loved man on television".
The series was created and co-authored by Craig Eagle and Dailan Evans along with staff writers Nicholas Bufalo, Anita Punton, Tal Brott, Mike Flattley and Nick Venus, with contributions by Tim Smith. The script editor was guest star Bob Franklin.
Major Les Hiddins of the Australian Army was born in Queensland and was always interested in Aboriginal customs and practices and how those practices helped a people survive in a hostile environment for thousands of years. When he joined the Army he developed this interest into a skill and put it to good use. Learning how to survive in the Australian bush and then to teach others the same skills. He wrote various survival manuals for the Australian Armed forces and added survival notes to the back of maps used by pilots flying over the Australian bush. In this series of programmes Les shares that knowledge with us, teaching us some of his survival skills and his great respect for the Aboriginal people that taught him.
The world has changed profoundly in the past 30 years. From the fall of the Berlin Wall in 1989, to now, with new walls going up in Europe and the U.S. This series explores how we went from hope to our uncertain present.
The Business is a late night half hour business news television programme on ABC1 & ABC News 24 in Australia.
The program is presented by ABC business journalist Ticky Fullerton and currently broadcasts four nights a week Monday to Thursday at 20:30 AEST on ABC News 24 and approximately 23:00h AEST on ABC1, immediately after Lateline.
On Friday night Lateline devotes a section of the program to business issues, including a discussion between host Emma Alberici and ABC economics correspondent Stephen Long. The program format involves a wrap up of the domestic market movements of the day, feature stories on business news events and usually at least one interview per night with a representative of a prominent business, usually featured in one of the stories that night.
The programme also features crosses to London and US stock exchanges for overseas market news and analysis.Reporters include Neal Woolrich, Brigid Glanville, the Producer is Ruth Dexter and the Executive Producer is Tim Palmer. Relief presenters incl
The Howard Years was a documentary series about the prime ministership of John Howard produced by the Australian Broadcasting Corporation. It was divided into four one-hour episodes - one episode for each term Howard served as Prime Minister of Australia - and originally broadcast on ABC1 from 17 November to 8 December 2008.
Sleek Geeks is an Australian science television series, hosted by Dr Karl Kruszelnicki and Adam Spencer. The fourteen-part series aired from 3 January 2008, and was based on Kruszelnicki and Spencer's Sleek Geek Week travelling roadshow, as well as Kruszelnicki's Great Moments in Science broadcasts on Triple J radio. The show was co-hosted by fellow "geeks" Yumi Stynes, Ruben Meerman and Dr Stephen Bosi.
The program aimed to demonstrate scientific principles and debunk common myths and fallacies, although Kruszelnicki and Spencer were disparaging of similar programs such as Discovery Channel's MythBusters and Sky One's Brainiac: Science Abuse.
Sleek Geeks was one of the first batch of television programs offered for sale in Australia on the iTunes Store.
Sleek Geeks Season 2 aired from 11 November until 30 December 2010, on ABC1 on a Thursday night at 8.00 pm.
In a year dominated by headline stories of domestic violence and the murder of nearly 70 women, award-winning journalist Sarah Ferguson has spent six months on the frontline of our national crisis.
With unprecedented access to courts and safe rooms, domestic abuse programs in prison, forensic doctors and specialised police units, Sarah also moves into a women's refuge in search of answers. How does domestic violence begin? How does it escalate from control to physical violence and even death?
In this bold new series, each episode is a collection of themed short stories told by the people who lived them. Familiar and not so familiar faces reveal secrets and truths, and intimate family stories are shared.
A show that believes people don't deserve to be consigned to the cultural scrapheap, that most people are more than a punchline, and everyone deserves a second chance.