Bolek and Lolek are two Polish cartoon characters from the TV animated series by the same title. They are based on Władysław Nehrebecki's sons, named Jan and Roman, and were partially created by German-born Alfred Ledwig before being developed by Władysław Nehrebecki and Leszek Lorek. The series is about two young brothers and their fun and sometimes silly adventures which often involve spending a lot of time outdoors. They first appeared in an animated film in 1963.
The names of the two characters are diminutives of Bolesław and Karol. In English, the cartoon was distributed as Jym & Jam and Bennie and Lennie. Some episodes were seen as part of Nickelodeon's Pinwheel. In 1973 the creators of the film placed on the request from the female viewing audience a girl character by the name of Tola. The first time she appeared in occurred in the episode entitled "Tola". In total, Tola appeared in 30 episodes.
Most episodes do not have dialogues. Exceptions are feature-length films and the series
The Junior Eurovision Song Contest, often shortened to JESC, Junior Eurovision or Junior EuroSong, is a song competition which has been organised by the European Broadcasting Union (EBU) annually since 2003 and is open exclusively to broadcasters that are members of the EBU. It is held in a different European city each year, however the same city can host the contest more than once.
Londyńczycy is a Polish TV drama series about Polish immigrants in London, aired on TVP 1 since late 2008. It is currently aired on Community Channel.
The title music for the series is the Robbie Williams song "Supreme".
Stawka większa niż życie is a series about the adventures of a Polish secret agent, Hans Kloss, who acts as a double agent in the Abwehr during Second World War in occupied Poland.
This is really season 7 of Days Of Honor, though the timings are out as some of the events in this series pre-date season 6. More about Polish resistance to the Nazis during WWII
Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.