The adventures of a couple, Karin and Agnaldo, who discovers an hour for one that does not know why still together after so many years. But for some reason, they can not leave behind the life together. With relationship to the brink of collapse, the separation is spreading. The professional life of the couple is "contaminated". Elementary school teacher, Karin takes its crisis to work. Agnaldo, who is employed by an insurance broker also gets out anywhere. The two no longer make the most unceremoniously and always generate the most climão in front of anyone. The head of Karin, Cinira who has been married three times, is also a kind of sentimental counselor. Even more problematic, instead of helping, therefore contributes to total chaos. Friends also can not escape the "spirit" of the impending separation. Gilda and Delgado are in love, but the romance of the two hardly overshadows the couple's scandals.
Florípedes, Dona Flor, a cooking teacher, loses her husband Vadinho, an incorrigible trickster, on Carnival Sunday. In deep mourning, tearful, she recalls the ups and downs of that relationship. But, as she is still young and beautiful, she attracts the attention of the very correct pharmacist Teodoro, with whom she marries.
Between the 1920s and 1980s, the plot narrates the trajectory of a Lebanese family focusing on the conflicted relationship of the twin brothers Omar and Yaqub.
Twelve people are confined together in an abandoned maximum security prison in the middle of the Amazon forest, and end up having to fight for their lives against unknown creatures and supernatural odds.
The Night Shepherds universe is inhabited by prostitutes, priests, rogues, saint's parents and street vendors. For a very Brazilian people who fight every day for survival and only rely on the solidarity spirit and friendship of each other. The seductive Cabo Martim, the romantic Curió, the noble Massu, the artful Foot of Wind and the Jesuit master live their adventures in four independent episodes, which are completed in their poetry and the strength of each story.
Programa do Jô is a Brazilian late-night talk show broadcast by Rede Globo since April 3, 2000. It is shown after the late-night news bulletin, Jornal da Globo.
The program is hosted by Brazilian comedian, author and musician Jô Soares, and follows the format of American talk shows such as Late Show with David Letterman. It began its life as Jô Soares Onze e Meia in 1988 on SBT. Following Jô Soares' return to Globo in 2000, the show was renamed as Programa do Jô, retaining the same format and late-night time slot.
The show usually features interviews with 3 guests and a live musical performance. Usually, if one of the guests is a musician or band, they return to perform at the end of the show. There are also occasions when the first guest stays on to continue the interview past the first commercial break, in which case the show only features 2 interviews. In most cases, the interviews are longer and more in-depth than those on Letterman's show.
Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.
Pedro sees his life crumble as he is abandoned by his wife, Marina. His emotional crisis is secretly witnessed by Victoria, a neighbor who has always been in love with him. Shy, she hears everything that goes on in the apartment next door through the kitchen wall, but has no courage to declare her love for Pedro.
'Second Call' focuses on the resilience stories of teachers and students in a complex public education system. After some time off from teaching, Lúcia Helena returns to the classroom, now giving night classes to teenagers and adults. Along with other three teachers and the principal, she faces institutional adversities and the lack of appreciation without flinching. The conflicts involve both the faculty and the student body and, in this scenario, Education emerges as a hope, reminding everyone that it is never too late to have a second chance.