Satirical and surreal news show. Nish Kumar and a cast of hilarious correspondents keep you up to date with everything that has happened - or not happened - this week.
GMTV is the name of the national Channel 3 breakfast television contractor/licensee, broadcasting in the United Kingdom from 1 January 1993 to 3 September 2010. It became a wholly owned subsidiary of ITV plc in November 2009. Shortly after, ITV plc announced the programme would end. The final edition of GMTV was broadcast on 3 September 2010.
The Glass House was a half-hour Australian comedy talk show which screened on the ABC from 2001 to 2006.
It was hosted by stand-up comedian Wil Anderson, and co-hosted by fellow television and radio comedians Corinne Grant and Dave Hughes. Two additional guests joined the regular cast each week, including musicians, politicians, actors, radio personalities and other celebrities of varying calibre, such as Young Australian of the Year winners and Olympic athletes. Regular guests included comedians Adam Spencer and Akmal Saleh, netballer Liz Ellis, Play School host Rhys Muldoon, musician Pinky Beecroft, and music critic Molly Meldrum. The show thrived on taking regular shots at, among others, Shannon Noll, Amanda Vanstone, Naomi Robson, Shane Warne and Peter Costello. The format of the programme is similar to that of the BBC series, Have I Got News for You.
The show was pre-recorded in front of a live audience in the ABC's Sydney studio on Tuesday evenings. During the Melbourne International Comedy Festival, the sh
A narrative documentary news program that features one or two of the New York Times’ biggest and most important visual stories each week following the stories and the reporters that work on them every step of the way.
In an attempt to make sense of the bewildering world we live in, Frankie Boyle dissects the week's news using stand-up, review, discussion and audience interaction.
Based on the popular gossip website, this entertainment newsmagazine delivers daily updates on Hollywood's rich, beautiful and screwed-up. The program often shows highlights of the day's staff meeting during which reporters pitch ideas for stories to air that day.
Good News Week was an Australian satirical panel game show hosted by Paul McDermott that aired from 19 April 1996 to 27 May 2000, and 11 February 2008 to 28 April 2012. The show's initial run aired on ABC until being bought by Network Ten in 1999. The show was revived for its second run when the 2007–2008 Writers Guild of America strike caused many of Network Ten's imported US programmes to cease production.
Good News Week drew its comedy and satire from recent news stories, political figures, media organisations, and often, aspects of the show itself. The show opened with a monologue by McDermott relating to recent headlines, after which two teams of three panellists competed in recurring segments to gain points.
The show has spawned three short-lived spin-off series, the ABC's Good News Weekend, Ten's GNW Night Lite and Ten's skit-based Good News World.
Each week, ABC News’ correspondents will leave the anchor desk and studios behind, taking viewers on a journey straight to the source of the stories everyone is talking about, plus the ones no one has even heard of yet. The program’s timely reporting will dive deep into the issues driving the conversations across America and spotlight real people affected by current events featuring hard-hitting investigative reports and profiles of newsmakers from around the globe.
News satire. A half-hour weekly round-up, branding, inoculation and crutching of all the important news stories of the week. Along with a like-minded Think Tank of reporters and pundits, offering not only reportage and analysis of the week’s events but discussion, argument and dissection of what’s making the world turn every which way.
An American television news magazine and hidden camera show. Actors act out scenes of conflict or illegal activity in public settings while hidden cameras videotape the scene, and the focus is on whether or not bystanders intervene, and how. Variations are also usually included, such as changing the genders, the races or the clothing of the actors performing the scene, to see if bystanders react differently. Quiñones appears at the end to interview the bystanders about their reactions. As the experiment goes on, psychology professors, teachers, or club members watch and discuss the video with Quiñones, explaining and making inferences on the bystanders' reactions.